Blogiversary Link Round-up: Year 2

May 2, 2014May 2, 2014KWhipkey 4 Comments

Guess what? Today officially marks the initiation of Nightwolf’s Corner into the Terrible Twos! That’s right, two years ago today, I posted my first ever blog post. (Holy bejeesus, that’s a long time ago!) Things have changed a lot around here since that first step into the blogosphere — I reached 100 followers, and then passed 200 before I even knew it; I’ve featured guest posts and giveaways, and wrote my 100th blog post; you’ve watched me venture into the world of the professional editor and serialized fiction. But one thing hasn’t changed — me. I’m still the same aspiring author/starving artist who set out to provide a fun, sometimes informative, sometimes sarcastic look at all things creativity. It amazes me that there over 200 of you that care what I have to say. I’m humbled, and completely flattered, and I can’t even begin to tell you what that support means to me.

So, today, I say thanks. And look back at last year with a fond, misty-eyed moment of nostalgia (which may or may not also have to do with the fact that I just ate the last of my Cadbury mini-eggs for the year). Care to relive the glory (of the blog, not the mini-eggs, although they were epic) with me? (Good, because you really didn’t have a choice. 😉 )

Over the past year, I’ve written a grand total of 66,770 words for the blog. While my grand total in actual fiction is lurking somewhere in the 10,000 range. Good to know some things don’t change, right?

Surprisingly, my most popular post this year was How to Write Martial Arts Fight Scenes, while the least popular were Memorializing Firsts: A Celebration of Author Bridget Zinn, Channels of Distribution, The Devil’s in the Details, Plot Bunnies; Friend or Foe?, My Ode to Bose, Storytelling for Demo Teams, & Two Steps Closer Giveaway. Given how old some of those are, I’m thinking it may have had more to do with age, and not necessarily subject. (Perhaps a few will be featured in my new Featured From the Archives series . . .)

My name was the top Googled thing that led people to my little digital home, while Twitter holds the record for highest referrals. Elitism in the Arts, and funnily enough, considering its place in the least popular posts, The Devil’s in the Details received the most shares. (Hmm, maybe my stats aren’t all that accurate, after all.)

The title of Longest Post goes to Exploring the Subgenres of Science Fiction, and the shortest was Writing Workshop Alert: Have You Scene It? Not really surprising, since it was just an announcement.

This year featured a grand total of 9 Guest Posts (conveniently flagged in the Index as such) and brought you 3 new series: From the Editor’s Desk, Featured from the Archives, and Featured Art. Oh, and there was also that little opportunity to read Unmoving well before it’s finished. That was pretty cool, too. 😉

I even learned how to play with GIF’s this year — My Average Day as an Editor (In GIFs) — and interviewed two authors about their journeys to publication — A Double Dose of Awesome: Author Interview & Holiday Giveaway & Conquering the Publishing Divide: An Interview With Author Jessa Russo.

So, all in all, it was a pretty productive year.

But the reason most of you are here, I’m sure, is because today’s the day I announce the winners for not one, but TWO giveaways. (I may have been a little giveaway happy this year, too. But I don’t think you’ll complain. Right?)

Okay, I won’t leave you in suspense anymore. Here are the lucky people winning whatever it was they signed up for:

For the eBook of Divide by Jessa Russo, the winners are . . .

Kathleen P.

Courtney W.

Brock G.

And, because I received over 400 entries in my blog-birthday giveaway, the 5 lucky people walking away with their chosen book are . . .

Alexandra P.

Gabriela C.

Alexandra T.

Mandy S.

Tiffany T.

Congratulations to the winners, and a HUGE thank you to everyone who participated. I’ll be emailing the winners with information about their prizes over the next week.

That’s all I’ve got for today. But before I go, let’s raise a glass of something — water, soda, wine, or, in my case, energy drink — and have a toast: here’s to another year of snarky festivities, helpful information, and lots and lots of writing. Cheers!

Conquering the Publishing Divide: An Interview With Author Jessa Russo

April 25, 2014KWhipkey 3 Comments

Anyone who knows me knows that I absolutely adore Beauty and the Beast. So when I stumbled on the announcement for Jessa Russo’s young adult novel, Divide, I knew I couldn’t pass it up. I haven’t finished reading it yet, so rather than bring you my thoughts on it, I’ve invited Jessa to stop by and regale us about her publication journey. This wasn’t her first time at the rodeo, as they say, but what she’s learned should be very insightful for those of us still waiting at the gates.

First, let me introduce you:

Jessa Russo believes in fairytales, ghosts, and Jake Ryan. She insists mimosas were created for Sundays, and that’s not up for discussion. She’s obsessed with the great city of New Orleans — where she’s collected too many beads to count, eventually married her sweetheart, and visited graveyards they don’t include on maps.

She’s loud, painfully honest, and passionate about living life to the fullest, because she’s seen how abruptly it can be taken away.

What began as a desire for reading and writing young adult paranormal has bled into stories of all kinds. From fantasy to pre-dystopian to erotic contemporary, Jessa’s stories always include romance, though she’s given up on pigeonholing her work into a category or genre box.

Jessa was born and raised in Southern California, and remains there to this day with her husband (a classic car fanatic), their daughter (a Tim Burton superfan), and a Great Dane who thinks he’s the same size as his Chihuahua sister.

Entwined, the final installment of Russo’s Ever Trilogy, will be released late 2014, as well as an erotic romance written under a pseudonym. Stay tuned!

~~~

From senior class president to dejected social outcast, with just the flick of a match.

After accusations of torching her ex-boyfriend’s home are followed by the mysterious poisoning of her ex-best friend, seventeen-year-old Holland Briggs assumes her life is over. And it is. But not in the way she thinks.

As Holland learns the truth about her cursed fate—that she is descended from the Beast most have only ever heard of in fairytales—she unites with an unlikely ally, good-looking newcomer Mick Stevenson.

Mick knows more about Holland’s twisted history than she does, and enlightening as it is to learn about, his suggestion for a cure is unsettling at best. Holland must fall in love with Mick in order to break the spell, and save their future generations from repeating her cursed fate. Having sworn off love after the betrayals of her ex-boyfriend and ex-best friend, this may be difficult to accomplish.

Complicating things further for Holland and Mick, time runs out, and Holland’s change begins way before schedule. With Holland quickly morphing into a dangerous mythical creature, Mick struggles to save her.

Should they fail, Holland will be lost to the beast inside her forever.

How could you not want to read that? Seriously. Which is why, in honor of Divide’s release last week, I’m going to give you a chance to get your hands on this amazing story. But not until after the interview. Which starts in three . . . two . . . one . . . 😉

~~~

Hi, Jessa! Thanks for being with us today. To kick things off, please tell us a little about Divide. Where did the inspiration come from? What makes it unique from all the other Beauty and the Beast retellings out there?

I’m not sure where the inspiration for any of my projects comes from, honestly. Ideas often pop into my head while I’m driving — which is what happened with DIVIDE — and then I stew on it for a bit until the idea turns into a story or fades away. In this case, I know I’d been hearing a lot about retellings, and I loved the idea, but I wondered how I could make mine different. Then it occurred to me that my beauty was the beast. She was both, both were her. So when NanoWrimo came along in 2012, I sat down to work on The Ever Trilogy, and DIVIDE came out instead.

What’s your favorite (non-spoiler) part of the story?

Honestly, I love the villain in DIVIDE. He’s arrogant and a bit dark, and . . . sexy. I think his introduction to the story is my favorite part of the book. (As well as a private moment down the road with him and my main character, where she happens across him in the middle of the night. But I don’t want to spoil anything.)

What kind of experience should readers expect from your work?

Truth be told, I want readers to escape into my books. It’s as simple as that. Escape. Sometimes I wish I was one of these authors with a great lesson to teach, or a beautiful, moving story of overcoming abuse or self-destruction — which I do have a story of, but won’t be sharing anytime soon as it takes a lot to get that story out on paper — but I honestly think that my creative energy is more focused on the escapism side of fiction. When I read, it’s for that reason alone, so I guess it’s probably normal that my writing is the same way. Day to day life can become repetitive at times — not that I don’t love my life and my family — but I often wake up to a sink full of dishes, or laundry that is never-ending, a tween whose attitude is starting to really, painfully, mirror my own . . . stuff like that. So when I read, I want to escape into the beautiful, butterfly-inducing joy of young love or magical fantasies about Princes and vampires and Vampire Princes. I want that escapism for my readers. I won’t beat you over the head with my beliefs or try to change your mind about yours — you can just pick up my book and find your alternate happily ever after.

Divide will be your third novel. How has its journey differed from that of Ever and Evade? Did it face challenges that the others didn’t, and vice versa?

Um . . . that’s hard to pinpoint. I queried both EVER and DIVIDE, but I was a bit wiser with DIVIDE, a bit more seasoned. With EVER, I thought I was supposed to cast a wide net, querying everyone who’d ever been an agent, seen an agent or known an agent. (A common rookie mistake, I’ve since learned.) I received an insane amount of rejection for EVER — something that probably also had to do with not just the wide net I cast, but the fact that I didn’t hear about critique partners until well into my querying, and by then, I think it was a bit too late for that book, as far as literary agents go. They’d all seen it (all 80 of them), rejected it, and didn’t much care to see the revisions. Anyway, with DIVIDE, I entered a couple contests, then queried a handful or two of agents — one of which was a friend who’d already hinted at wanting to sign me. So DIVIDE had a bit of an easier go at things, but then, second children often do, don’t they? The first child is the one with the gallons of hand sanitizer and safety EVERYTHING, then that second kiddo comes along and can be a dirty little daredevil without the parent so much as blinking an eye. That’s EVER and DIVIDE. 😉

A lot of people assume that once you have an agent, publication is a sure thing. But it isn’t. Can you tell us a little about what it’s like to work with an agency, as opposed to going it alone? Are there any times you would recommend against looking for an agent?

I assumed that too. It’s funny how I continue to grow and learn in this industry — right when I think I’ve figured it all out, something happens to humble me all over again. With EVER, I thought “Okay, well, I wrote ‘The End’, so now I get to publish.” Then I looked up Scholastic — because obviously that’s who I would let have EVER — and realized it wasn’t that easy. Doh! With DIVIDE, I just knew my agent would find a Big 5 publishing house for me right away. Unfortunately, as many of us have found, that just isn’t the case. Rejections began to trickle in. Part of me couldn’t believe it. The other part of me told me my story sucked. (Gotta love that inner writer — she’s not very nice.) What I came to discover was that I’d missed the boat on fairytale retellings. Editors said things like “We already signed all the fairytale retellings we want.” Or, “This is too similar to something we just signed.” It was heartbreaking. I would have to shelve my story. And then I realized that way of thinking was wrong. Maybe I wasn’t the first to remix an old classic, but DIVIDE wasn’t bad because of that fact. And then I realized that DIVIDE didn’t deserve to be shelved.

The fairytale redux genre is incredibly popular right now. What kind of challenges do you think authors face as the market becomes more and more flooded?

Haha, um, see above. 😉 I’d say that if you’re working on a fairytale redux right now (and really, this can go for many other genres as well — paranormal, to name a big one), make it amazing. Make it unique. Make it unlike anything anyone has EVER seen before. But even then, go into it knowing that you may have missed the boat, and if you did, that doesn’t mean your story isn’t worth reading. That doesn’t mean you shouldn’t share it with the world. If I’ve learned one thing about publishing, it’s that just because a large house may not want your story (and there are a number of factors that go into that decision) it doesn’t mean a fanbase of readers won’t gobble up your words as if they are the very oxygen needed to breathe. Because at the heart of every reader is, after all, a desire to read. A hunger for your words. So write the words, create the stories, and share them. Someone will thank you for it, I promise.

What advice would you give to those authors facing the gauntlet of publishing?

Again, see above. Lol! Basically, go into it with an open mind, ready to learn. Then realize that you know nothing, and even after you think you’ve learned it all, you still know nothing. 😉 Why? Because publishing is constantly evolving, constantly growing, changing, spinning, morphing . . . so be open to learning as you go. Always. Oh, and be patient. Rushing something that means the world to you is never a good idea. Don’t race into publishing. You’ll regret it for one reason or another. That I can guarantee.

~~~

Some fantastic words of wisdom in there, no? Thank you, Jessa!

Which leaves only one thing — the giveaway. Because what better way to thank Jessa for her time than to help her celebrate the release of her book? In one week, three lucky people will be walking away with an eBook of Divide. Want it to be you? Click here to enter: Divide eBook Giveaway!

And if you’re feeling extra lucky, the giveaway for my blogiversary is still happening too. The drawings for both will happen on the same day, so be sure to head over there and enter for a chance at some of the other amazing titles up for grabs. 🙂

Featured From the Archives: Why do you . . . (Insert Creative Verb Here)?

April 11, 2014April 11, 2014KWhipkey 6 Comments

As the 2nd year anniversary of my blogging experiment draws near, I realize I’ve reached the point where many of my followers probably haven’t read the older posts. So periodically, I’m going to feature one of those archived gems (which pretty much means I ran out of time and/or motivation that week) and give you a chance to discover them again. (Or, for the first time, as the case may be.)

Today’s feature is one that hopefully doesn’t offend too many people. But with all the various blog hops going around (like the ones I, myself, have participated in recently), and posts about what it means to be a (insert whatever creative term you were reading about), it seemed like the perfect time to showcase this again. (Plus, I’m feeling a tad under the weather, and my pesky muse decided to high-tail herself out of the plague zone. ) So, to kick off my new/old series, I present: Why Do You . . . (Insert Creative Verb Here)? A snarky, honest post about what we’re all really thinking when you ask us this. (Warning, contains tongue-in-cheek sarcasm and blunt reality. Read with your serious-meter on half.)

Oh! And don’t forget, I still have that fantabulous (yes, that’s a word. Shut it before I hurl this NyQuil bottle at your head) giveaway I’m running in honor of my upcoming blogiversary. I’ve already received over 300 entries, so three lucky people will be receiving the book they chose from the list. And if you’d like to make it four (and to see whether or not what I’m saying is a cold-med induced hallucination) click here!

Back to the post!

Why Do You . . . (Insert Creative Verb Here)?

By Kisa Whipkey

(Originally Posted on 5/11/12)

This is probably the most-asked question of creative people -– sometimes even by other creative people. And it’s one of the more irritating ones, because it’s such a hard thing to quantify. It’s like asking someone why their eyes are blue, or why they were born in the morning. How do you answer that? So, understandably, the answers to why someone’s creative vary wildly depending on the person. You’ll hear things like:

“I’m not sure, I just do.”

“Because it makes me happy.”

“Because it’s therapy for me; it helps me express myself.”

And my personal favorite, “I do it for me.”

Now, the truth is, all of these answers are sugar-coated, watered-down replies meant to make the artist look more artsy; to make the listener think, “ooo, aren’t they cool? They’re so mysterious and vague.” Personal satisfaction is great, but you go to the gym for personal satisfaction, you don’t pour weeks, months, years, heart and soul into a project just for personal satisfaction. I mean, don’t answers like that just seem so full of themselves? Why narcissism is encouraged within the arts is beyond me, but the more self-involved the answer, the more prestige points an artist receives. And the more frequently you’ll hear responses like the above.

Personally, I view every one of those answers as a cop-out. Because ultimately, statements like that are rarely true. And before you get up on your high horse and scream “controversy!” while flooding my comment box with all the reasons I’m wrong, hear me out. If creativity is such a personal thing (which I’m actually not arguing, because it is), why would anyone share its products? All those artists, authors, and musicians that claim they only create for themselves are lying. The proof is in the sheer fact that they made said creation available for public consumption. If it was truly just for them, it would be stashed in a vault somewhere, guarded by large, vicious dogs, and fiercely protected until its location was lost in the afterlife. Not put on public display for all to judge. But that’s not the case, is it? Because they shared their work with the world.

(The only exception may be personal diaries and journals, which are never truly intended to be shared, but in reality, are almost always found and read anyway.)

When I’m asked this question of why I (insert creative verb here), I have a generalized, self-important, prosaic answer that I’ll give. (Who doesn’t want to earn some prestige points?) I simply say that the reason I (chosen creative verb of the moment) is that I never realized not (doing said creative verb) was an option. And this is partly true. Creativity just came naturally. Like breathing. But just like the answers I listed above, that lovely little sound-bite, while somewhat accurate, is not the real motivator behind my masterpieces. (See? Don’t I just automatically sound more brilliant because I called them that?)

The brutal, honest truth is something none of us “Artistes” like to admit, because it makes us seem desperate and needy, and those two adjectives are a far cry from cool and mysterious. We don’t want to be put in the same category as your psycho ex that Facebook stalks you. But the reason all those artists, authors, and musicians refuse to admit, is that we create because we want validation. Public approval. Fame, glory, and all that jazz. Just like when we were little kids and we ran to Mommy looking for approval on our latest blob of mismatched crayon wax we were certain looked like the cat, we offer up the fruits of our labor to the public eye. With the sole intent of being lavished in praise for our awesomeness.

When you think about it, it’s not really that hard to see why this is the real motivator behind creativity. It’s the same reason we post status updates several times a day and then check back obsessively, waiting for those little thumbs-up signs to appear that means someone likes us, someone agreed. We’re cool. It’s human nature to seek praise from those around us; it makes us feel good, worthwhile, valued. Does that mean all artists are shallow, attention-seeking ho-bags? No. Do we all secretly want to preen while you sing our praises and tell us how awesome we are, so we can humbly pretend we didn’t already know that? You betcha.

Ultimately, though, it’s receiving feedback of any kind (although preferably of the worship-my-brilliance variety) that motivates us to hit that upload button, to submit that manuscript, or to step out on that stage. It’s often said that creativity doesn’t happen in a vacuum. And I 100% agree. Without that input from others, your creative side will shrivel and die like a thirsty plant locked in a closet. Which is why, whenever someone answers with the angelically selfish response of , “I (whatever) for me,” I find myself annoyed. Why is it OK to feed your narcissistic ego by pretending that success means nothing to you and you don’t care what anyone else thinks, but not OK to admit the truth? You did it for the same reason I do –- to feel good when others tell you your creation is something wonderful.

And for those out there that feel this question, this “Why do you . . . (insert creative verb here)?” is a perfectly legitimate conversation starter, it’s really not. You’re just going to be lied to. Few of us will man up and admit, “I did it to be rich and famous. Duh.” You’re much better off asking questions that actually have quantifiable answers. Ask why we do things a certain way, or what did we mean with X, instead of something as innocuous as why do you create?

Hey, nobody said honesty always had to be pretty. And I did warn you that snarky rants were a definite possibility. But let the barrage of offended comments commence anyway. 😉

Nightwolf’s Corner Birthday Giveaway–Year 2

April 4, 2014KWhipkey 2 Comments

Image of Birthday Candles

“Birthday Celebration” by Cédric Boismain
Copyright 2013

Those of you who have followed me for a while know that I like to do giveaways twice a year as a way of thanking you for your support. And after the heavy content of last week’s post, it seemed like the perfect time to announce one. Plus, it’s that time of year again — blogiversary time. Technically, my blog turns two (let’s hope blogs don’t suffer the terrible two’s!) on May 2nd. But we’re going to start the celebration a bit early. Because that’s just how I roll. Birthdays are a big deal, right?

So what kind of fabulous goodies do I have hidden up my sleeves? The kind that should make all the bibliophile’s out there swoon with joy — free books. That’s right, some lucky people (number of winners will depend on the number of entries I receive) will get their choice (in their preferred reading method) of the amazing books I’ve worked on over the past year. Which might those be? Well, lets have a look:

The Prize Options:

A Foundation in Wisdom by Robert Loyd Watson

History repeats itself. This is what I taught, and always believed. Then I met Sheridan, a man hitchhiking down the highway without a care in the world – a lonely figure who told me history, and the world, was ending. His evidence was the story of a mathematician who tried to prove the world didn’t exist.

It was a silly proposition. Nobody can prove the world doesn’t exist. But as I became more convinced Sheridan was right, that the proof lay at the edge of reality, I could only wonder, where would we go?

(An intellectual Fantasy, A Foundation in Wisdom is available in eBook or Paperback)

Echoes of Balance by Cally Ryanne

For Chloe Moraine, fighting wild bears — and the occasional vampire — is a better pastime than the tediousness of keeping the universe in balance. But balancing is the family business. It comes with being one of the last in the ancient line of Naimei.

So when the impending return of the Original Demons threatens global harmony, Chloe is obligated to help. Even when that means the dull-as-dirt task of following a human girl who “might be involved, maybe,” instead of the thrilling hunt she craves.

With their powerful magic and ancient Ways, Chloe’s family is unconcerned, certain they’ll quickly fix the imbalance while she’s preoccupied with human high school. But when the Ways start to fail, the threat becomes more serious, and the only person that seems to know anything is a debonair vampire with an offer to help.

If Chloe chooses to trust him, and the darker side of the supernatural he represents, she’ll betray her family and risk losing them, and herself, in the process. But if he’s right, he may just be their only chance to stop the return of the Originals and save the world.

Maybe high school won’t be so boring after all.

(A YA Paranormal/Urban Fantasy, Echoes of Balance is available in eBook or Paperback)

Dracian Legacy by Priya Kanaparti

At seventeen, Ren Pernell knows the meaning of tragedy.

But then, a year after losing her parents, Axel Knight walks through the door and changes everything. Strange creatures start to appear, her best friend suddenly finds her irresistible, and an undeniable, unexplainable bond with Axel threatens to drive her insane. She knows he’s the key. There’s something he’s not sharing, and she’s determined to find out.

Demanding answers, she finally learns the truth: everything she ever believed is an illusion. Caught in a centuries-old blood feud between races she never knew existed, Ren discovers her true destiny. She’s the chosen one, the Echo, preordained to end the bloodshed.

There’s just one catch –- in order to save those she loves and a homeland she’s never seen, she’ll have to die.

With the clock running out, she’ll have to navigate a new world of betrayal, lies and deceit. If she can forgive, finding love even in the darkest places, she just might be able to escape the prophecy. But how much is she willing to sacrifice for a cause she didn’t know she was part of? And what will it take for her to be free?

**Content Note: This is classed as a YA, but parents should be aware that the content, in my opinion, is appropriate for 16+ years. There’s nothing too explicit, but it does contain swearing, discussions about sex, and steamy make-out sessions that will leave adults looking for a cold shower.**

(A YA Paranormal Romance, Dracian Legacy is available in eBook or Paperback. The Paperback version contains additional bonus material and will be signed by the author.)

A Need So Insatiable by Cecilia Robert

“You’ve owned me from the moment I walked into that music room. You’ve wrapped yourself in my heart and mind. I can’t get you out. I don’t want to.” ~ Rafael Van Rees

Sophie Fisher’s life is on fire. If she’s not ducking around corners or slipping out of windows to escape the debt collectors her father’s death has left knocking on her door, she’s dealing with her rebellious, fifteen-year-old sister, Lilli. And, as if that’s not enough, Rafael Van Rees crashes into her life—literally—bringing with him a past the public has no idea of. Can she unravel his mysteries before he unravels her, or will his presence finally force her to face the demons she’s trying to outrun?

Rafael Van Rees prides himself on being in control of his destiny, music and women. As far as he is concerned, his past is a black cloud in the distance–until he meets Sophie, that is, and his world spins out of control in more ways than one. He knows the darkest sins and secrets eventually reveal themselves, but when it comes to Sophie, he’ll stop at nothing to protect her from his past. Even if it kills him.

**Content Note: Contains mature content — swearing, violence, sex — that is appropriate for 18+ years.**

(A NA Romantic Suspense, A Need So Insatiable is available in eBook or Paperback. The Paperback hasn’t been released just yet, so if chosen, there may be a brief delay.)

A Soul to Take by Emily Taylor

Dying is the least of Elixia’s worries.

The world has changed. Demons are no longer legend, but part of life, integrated into our society . . . or so the Government claims. Things are never that simple, though, and neither side favors the new union. Agent Elixia Albelin knows the dark nature of demons firsthand, and will do everything in her power to protect the innocent from their wrath.

But when a mission from the Agency goes sour, Elixia finds herself in a predicament. Murdered, with her last living family-member kidnapped, her only hope is an offer from the very thing she despises: a demon. It’s no ordinary demon offering the contract, though, and his motive for such a deal is unclear. But if she’s to discover the truth and save her sister, she must commit the greatest taboo for an Agent:

Sell her soul.

Now, Marked and shackled to the terms of the contract, she must try to uncover the mystery of her sister’s abduction before her new “owner” comes to claim what is his. Her past may hold answers, but what happens when her investigation finds something far more sinister? Something not even the demons can condone?

**Content Note: Contains swearing, graphic violence, and sexual situations. Appropriate for 17+ years.**

(A NA Paranormal Romance w/ elements of Dark Fantasy and Steampunk, A Soul to Take will be released 4/29/14 in eBook & 5/13/14 in Paperback.)

Unmoving by Kisa Whipkey

Derek Richards renounced his humanity after losing the woman he loved in a horrific car accident. Like flipping a switch, he turned off his non-cynical emotions –- including compassion and empathy –- and closed himself off from the world. But, three years later, his callous disregard has finally caught up to him.

After watching his current fling angrily storm out, he meanders through the streets of Portland to his favorite spot –- a park bench by the river. His peace and quiet is interrupted by a homeless woman, and he quickly finds himself entangled in a confrontation where money isn’t the only change at stake.

Now, literally turned to stone, he realizes karma’s giving him a second chance. Like Ebeneezer Scrooge minus the helpful ghosts, he has to relive all his bad decisions –- every selfish, incorrect choice he’s ever made –- and reevaluate his life. If he can’t find a way to redeem himself, he’ll spend eternity as a statue. But after what he’s done, maybe he deserves it.

(An Urban Fantasy, Unmoving is currently only available in serialized form. Winners choosing this prize will be enrolled in my VIP First-Look Subscription program.)

Excited yet?

Here’s how it’ll work — the giveaway will run from now until Midnight on May 1st, at which time I’ll let Rafflecopter’s Random Winner Algorithm draw some names from the proverbial hat. The number of names is entirely up to you guys. For every 100 entries I receive, I’ll add another chance to win. So tell your friends, bribe some people, or enter multiple times yourself. 😉

Until then, let’s bust out the confetti and champagne, and get this party going! Click here to enter:

a Rafflecopter giveaway

Elitism in the Arts

March 28, 2014KWhipkey 20 Comments

This is a post I’ve dreaded writing, because in order to do so, I have to relive some painful memories. But I feel like this is a message that needs to be said. And so, though it comes from a negative part of my life, I’ll try my best to keep it positive. First, some raw honesty:

Throughout my creative journey, I’ve tried many different branches. And I’ve felt like an outsider every time. The writing community has been welcoming, but recently, I realized that the literary one is a completely different beast, and that I will once again be facing down the enemy of being different. This isn’t a battle that’s new to me, though. In art, I was ostracized for being too commercial. In the Martial Arts, I wasn’t traditional enough. And in writing, I’m not literary, coming from a film background rather than one in English. But, you see, the problem isn’t me. Those are all things I’ve been told, things that have created scars I’ll never fully erase. They’re not the product of a lack of ability, or talent. No, they’re the product of a phenomenon that should never exist — elitism.

People hold the arts up as this ideal place for individuality, where you’ll be free to express yourself without fear of judgement and prejudice. But those people are wrong. Rooted in subjectivity, the arts are actually worse than other industries. Instead of embracing the different, the weird, the innovative, they shun it, viciously tearing down anyone who dares to try something new, or becomes too popular. And who can blame them? People who do things differently risk the status quo. And we can’t have that. (Even though that’s the motto flying on our brilliantly-colored flag of creativity.)

Humans are pack animals, no matter what we’re led to believe. And nowhere do you see that penchant for cliques more prominent than in the arts.

I came face to face with it for the first time in college. (Now, you should know that I went to college at the ripe age of 16, so I was still highly impressionable.) There I was, testing my wings for the first time in what I thought was a safe environment to do so. College is all about experimenting, right? Finding one’s self, and blah blah blah. Well, I had the good fortune to find a college professor whose close-minded bullying nearly had me hanging up my pencils for good.

I don’t know the story behind what was happening in that woman’s life, but that also shouldn’t matter. She was an educator, someone entrusted to help mold the minds of our youth. And she abused that power. I was stuck with her for three classes that semester — color theory, figure drawing, and beginning painting. Things started off great. I’d never been exposed to formal art classes, so I was a sponge, putting my best into every assignment. (I’m also a perfectionist with a compulsive need to get A’s, so you can connect the dots on my level of participation.) She seemed to like me, and I did well in all three classes. Until one day, about halfway through the semester, when she asked me the fated question I would learn never to answer honestly — what kind of artist do you want to be? Stupid me, I told her the truth:

“I want to be an animator,” I said, not realizing that word was akin to the most vulgar thing in the dictionary.

She looked like I’d spat in her drink. She backed away from me, a completely disgusted look on her face, mumbled something snide and walked away. After that, my grades plummeted, she wouldn’t call on me during class, and it was like I didn’t exist. But the kicker was the final project for the painting class. The assignment was to create an abstract painting that had no clear top or bottom. I’d never done abstract before, but I did my best, following the assignment to the letter.

Like all teenagers, I was battling some emotional instability, so I tried to capture that turmoil in paint. Doesn’t get more “tortured artist” than that, right? Well, when it came time for the final critique, this woman took my painting to the front of the class, turned it on its side and said, “Oh my God, where’s Bambi?” (Yes, that’s a direct quote.) I’ve never seen a room full of young people so silent. I swear, they all stopped breathing, staring at me with wide eyes as this teacher continued to ridicule me in front of them all, informing me I had failed because clearly, I had portrayed a forest fire.

I left that class in tears, dropped out of school and gave up on art for the next five years. All because I’d made the mistake of uttering the “A” word.

That’s not the only time I’ve run into that kind of elitist attitude either. Over the years, I’ve been accused of plagiarism (because I happened to write a sci-fi story that featured a weapon mildly resembling a light saber), told I wasn’t good enough to amount to anything, and been patronized because I don’t do things by the majority norm. And I know I’m not alone. These kinds of experiences are par for the course in the arts.

You want to be a singer? Too bad, you suck.

You want to paint? Well, you’re not Van Gogh, so you may as well give up.

You want to be published? Every door will be slammed in your face.

Overcoming adversity is the very definition of being an artist. But it doesn’t have to be that way. So what if someone wants to play the violin with their toes. Or paints murals on street signs. Or writes something a little rough around the edges. It doesn’t make them any less of an artist. The different creative communities claim to be so welcoming and open-minded, but instead, offer only elitism and rejection. If you’re not the alpha of the pack, then you’re the scapegoat. Or worse, lost somewhere in the middle, amongst a sea of sheep.

What’s the point to all this? Simple — don’t let yourself fall prey to elitism. Words have power, whether they be said in jest or seriousness. And that power lasts. To those of us in a position of authority (agents, editors, publishers, teachers, etc.) I implore you to think about what your rejections do to the people who receive them. So it wasn’t your cup of tea. That’s fine, but be nice about it. There must be something good you can give them, some piece of encouragement and/or advice. There’s no reason to get up on a high horse and strip them of their dignity. It’s our job to be the mentors, to help people achieve their creative dreams. Falling into the pack mentality is easy to do, but if we all try a little harder to remember our humanity, and not our need to feel important, we can eliminate experiences like those I went through.

And for those of you who have suffered, or are suffering, under the sword of elitism, keep your head up. Just because one person says you can’t, does not mean you can’t. It took me a long time to get over what that painting teacher said, and I would have destroyed the piece if my mom hadn’t saved it. But I’m glad she did, because I no longer see the emotional turmoil it represented. I see a fire-breathing dragon. It’s a reminder of what I’ve overcome, and that it’s okay to fight for your dreams. So remember, as the great Eleanor Roosevelt said, “No one can make you feel inferior without your consent.” We all have a choice. We can become victims, or we can become dragons. I chose to be a dragon, to fight back against elitism and approach my creativity with strength and resolution. Which will you be?

Abstract Painting