From the Editor’s Desk: Sachael Desires by Melody Winter

Happy Black Friday to my followers in the US. I know most of you are out there trying not to be trampled in that sacred tradition of scoring the best deal and likely won’t see this until next week. That’s okay. I understand. I’m not online either. ;)

But for everyone else, I bring new content. Yay! Yes, it’s a book review, brought to you by this here lovely book tour:

Sachael Desires Blog Tour Banner

But it’s still new content. That counts for something, right?

Anyway, on to the book! It’s a great one, and it’s brand new. So be sure to go grab a copy if you think it sounds like your cup of tea.

Sachael Desires

by Melody Winter

Sachael Desires by Melody Winter

During her ordeal with the Sect, Estelle Bailey dreamt of escaping back into the arms of the sea—and Azariah. But freedom came at a price, and though she’s back with the Sachael who’s stolen her heart, she’s also land-bound until the next full moon. And with the threat of Orontes looming ever larger behind them, Azariah, Estelle, and Michael—her once-captor turned rescuer and friend—are on the run.

Following Michael’s lead, they seek sanctuary amidst the natural beauty of the Orkney and Shetland Islands until Estelle can complete her next submergence ritual and Azariah can whisk her away to the safety of Saicean.
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Secrets, betrayals, and old enemies await them, though, and as events spiral out of control, Azariah makes a decision that puts all their lives at risk, forcing Estelle to face a journey she never wanted to take. With time running out and tempers running high, her only hope to save the man she loves lies in a reconciliation between two kingdoms who despise each other.

Book Two in the Mine Series, Sachael Desires further expands on the intricate underwater world of the Sachaels, and the hostility and isolation of not belonging.

Picking up where Sachael Dreams left off, Sachael Desires is exactly what you hope for in a sequel, suffering none of the sophomore-book blues that plague so many other series. Everything we loved about the original is back — the setting, the characters, the romance — but paired with all the excitement of something new.

One of my favorite aspects, apart from seeing the cast again, was the attention Winter paid to the world-building. We finally get to see the mythical Saicean, but even more importantly, we get to see the underwater world of the Sachaels and Oceanids in all its brutality. Richly described and realistic, Winter paints a portrait that is both fantastically imaginative and thought-provoking, providing subtle commentary on things like human nature, identity, sexism, ableism, and racial profiling within the fabric of Estelle’s journey.

Filled with twists and turns (and several pretty notable revelations about some of the characters that I won’t spoil), Sachael Desires is much more action driven than its predecessor.

The first book featured a plot that felt like romantic suspense with fantasy elements, but this one feels like an action-adventure blockbuster, with sweeping settings, beautifully crafted and well-imagined worlds, and an epic battle just waiting to be interpreted on the silver screen. And Winter manages to do all of this while still developing her characters and their relationships, peeling back the layers of their lives piece by piece to give us carefully timed glimpses of the whole.

While entirely satisfying as a follow-up, it is clear that there is much more still to be discovered in this world and series. And I, for one, cannot wait to see what happens next.

Book Links: Amazon | Goodreads

Featured From the Archives: The Difference Between Editing & Ghostwriting

Apologies for the abrupt and unexpected hiatus of the past couple weeks. Between illness and back-to-back deadlines, I sort of lost all concept of time for a bit there. But, as you can see, I’m back. Which means I also have new things to say. (Well, in theory, anyway.)

Coming off the heels of the guest post I wrote about the differences between editors, critique partners, and beta readers seems like the perfect time to pull this out of the archives, blow off the dust, give it a few tweaks, and expand on your vocabulary of book-doctor specialties. So, without further ado, I give you the encore presentation of . . .

The Difference Between Editing & Ghostwriting

by Kisa Whipkey

Originally Posted on 3/22/13

I’m sure the more astute of you already know that I moonlight as a freelance editor (there’s a handy little tab at the top of the page that will tell you all about it if you somehow managed to miss it), as well as working on the editorial staff at REUTS Publications. But I’ve also been known to work as a ghostwriter (very infrequently; it’s not really my cup of tea). This week had me doing both. And it got me thinking about the differences between the two; how they can often be confused by those outside the literary world. So, in the interest of clarity, I’m going to take a moment to break each of them down, starting with editing.

There are three types of editing a freelance editor (or an editorial staff) will perform:

  • Developmental Editing: This deals with the underlying structure of a piece, focusing on things like flow, POV, character consistency, and plot. Sometimes called Substantive or Structural Editing, it’s usually the first part of the process, as there’s no point in fine-tuning a scene that will just get cut later on. Developmental Editors have a firm understanding of storytelling basics and can rearrange a work like pieces in a puzzle, requiring dramatic changes that will ultimately make the story stronger. It’s the part that most feels like honing a diamond from a rough piece of rock and is my favorite style of editing. (2015 addition: The key thing that makes this different from ghostwriting is that it requires at least a base of story to work with — a first draft, an outline, something the author has already put on the page.)
  • Line Editing: The second stage of the process, line editing dissects individual sentences, working on tightening the prose and overall smoothing, as well as things like spelling and grammar. Similar to the layered approach of painting and sculpture, line editing builds on the foundation developmental editing provides, focusing on the details rather than the work at large. This can be extremely painful for people that dislike dealing with minutiae, but it’s an important step in creating the final outcome.
  • Proofreading: Generally the last stage of the process, proofreading gives a manuscript a final pass, looking for any typos, misspelled words, or wonky punctuation that might have slipped through the cracks. There should be relatively few revisions made in this stage, and often, the proofreader will simply make the necessary changes without requiring the author to step in. Proofreaders are the last defense before a manuscript heads to the printer, so it’s a good idea to have them be a fresh set of eyes from the prior stages.

You’ll notice that none of those definitions included rewriting. That’s because it’s not the editor’s job to actually fix the problems. This is where the confusion kicks in. It’s a common misconception that editors help with the actual writing. But editing isn’t that kind of hands-on, instant fix. In fact, most editors won’t even look at a piece that hasn’t already been completed and polished to a high standard. (2015 addition: Except for developmental editors, that is, whose job is often comprised of brainstorming advice and other coaching.)

An editor is like a personal trainer for words. And just like a personal trainer can’t lose weight for their client, an editor can’t rewrite a manuscript for their author. The author does all the heavy-lifting in the relationship, working out the kinks and fixing the rough spots under the editor’s guidance and moral support (even though it can feel like the complete opposite when you get your manuscript back covered in red “delete” suggestions). When they do their job well, the end result is like the movie-star version of the original work, but it’s the author that actually gets it there.

So who, then, helps the people that can’t quite articulate their brilliant idea into words on a page?


Ghostwriting and editing are two completely different things. Editors are passive observers, guiding the author from the sidelines, while ghostwriters are active, aggressively transforming the author’s loose, un-articulated thoughts into a commercial literary product. Unlike editors, a ghostwriter’s job is to actually write the manuscript. To take the vision, voice, and generalized, messy thoughts of the author and actually write in their stead. In short, ghostwriting is hard. Which is why I only do it on very rare occasions, and why you won’t see it listed in the services I offer.

That’s not to say that there aren’t some small similarities between the two, though. For instance, both require the ability to see past a rough exterior to the heart of the story, to be able to understand the final vision for the piece and the best way to present that to the world. They both require a firm grasp of language and storytelling (although ghostwriting mostly happens in the non-fiction world), as well as a keen understanding of voice, so that the final product sounds like the original author, not the ghostwriter/editor.

They both have their place, but editing is more akin to reading with annotations, while ghostwriting involves the more rigorous creative process of actually putting words on paper, complete with stipulations and expectations attached. They both require someone well-versed in the craft of writing, but rarely will you find someone who likes to do both. Just like writers have preferences when it comes to style and genre, those on the book-doctoring side of the fence have preferences on the types of surgery they like to perform. So before you ask for help, make sure you’re asking the right person. If your manuscript is finished and you just need polishing, you’re looking for an editor. If you have a brilliant idea but something just isn’t quite clicking, you’re looking for an editor. But if you need help actually constructing your manuscript, as in literally writing the words, you might actually be better off looking for a ghostwriter to collaborate with. Knowing the difference will save you a lot of headaches.

Beta Readers, Critique Partners, Editors; They’re all the Same, Right?


Today’s post is a little different from the usual. I was asked to write a guest post over at Live, Love, Read, and I chose to write about something I feel could have value to all of you here as well — the difference between critique partners, beta readers, and editors. Rather than copy the article in full though, I’m going to use the handy re-blog feature and turn you over to the lovely ladies that host the Musings of the Eternal Dreamers series, for which the post was written. There a lot of other articles from that series which might also be of interest, so be sure to check them out as well. Enjoy! :)

Originally posted on Live, Love, Read:


Beta Readers, Critique Partners, Editors: They’re all the Same, Right?
by Kisa Whipkey
Acquisitions and Editorial Director, REUTS Publications

Beta Readers. Critique Partners. Editors. These are all terms that swirl around the writing community, and authors are encouraged to collect them all, like Pokemon. But that advice, while true, rarely includes the order in which you should use them. And there is an order, trust me. We’ll get to that in a minute, though. First, let’s look at what each of these important roles entails and how they impact your journey as an author, because, contrary to what some believe, they are most definitely not the same.

I’ve written about the different types of critiques several times on my own blog, so feel free to check out that article as well. For now, here’s a small preview detailing the three review types pertinent to today’s discussion.

The Critique Partner


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Featured From the Archives: Motivation (Or the Lack Thereof)

Yep, I went archive-diving again. I do have new content in the works, but time, health, and other forces keep conspiring against me. Which means I either dredge something up from the archives, or post nothing at all. And since I am battling a rather large dose of the Blahs right now, this article felt particularly relevant. You’ll see why in a moment.

Motivation (Or the Lack Thereof)

by Kisa Whipkey

Originally Posted on 2/8/13

Writing requires two things to flow smoothly — inspiration and motivation. I’ve already ranted about the fickle nature of inspiration here, so today, it’s motivation’s turn.

We’ve all had those weeks where it feels like we’re carrying around 500 pounds of iron. Where even breathing is too much work, and the lure of creativity pales to that of our bed or TV. But life can’t just stop, can it? No matter how much we don’t want to deal with anything, wishing to bury our heads in the proverbial sand, we have to suck it up and carry on. And while that attitude can get you through the dreary act of day-to-day chores (barely), it’s as good as cyanide to your muse.

Muses are easily chased away by anything from stress, to illness, to exhaustion. That perfect combination of inspiration and motivation? It only strikes like a lightning bolt in a blue moon. If you wait for it, you might get a whopping 3 days a year to write, and they’ll land on days when you don’t have more than two seconds to yourself. Guaranteed. So what do you do instead? What do you do when motivation leaves your sails deflated and your muse MIA?

Just like inspiration can be tricked into making a reappearance, you can kick-start motivation. Everyone has their own methods, but here are some of mine. Feel free to give them a try if you’re suffering a bout of motivation-less Blahs, like I am.

  • Read:  I find reading relaxing, so whenever my muse decides to take a vacation without me, I turn to books. Reading puts me back in the literary frame of mind, and nothing is more inspiring than reading someone else’s brilliance. You never know, maybe some of that brilliance will rub off on you like the dust from a butterfly’s wings.
  • Listen to music: Music is such an integral part of my storytelling process that it’s no surprise this is on the list. Since it’s the root of all my inspiration, spending some quality time surrounded by the songs tied to my works-in-progress can jump-start my inner projector and get things back on track. So if you don’t already use music as the excellent source of motivation it is, try creating a playlist of songs that invoke your story in some way, either the emotional content, the visuals, or the overall tone, and see if your muse will decide to come dance in the melodic rain for you.
  • Watch TV/Go to the movies: Storytelling is storytelling, and sometimes just being immersed in it can be enough to rekindle the sparks of motivation. (Yep, I just gave you license to be a couch-potato. You’re welcome. ;) )
  • Chat with your critique partner: No matter how lame I’m feeling, a critique buddy can instantly get me fired back up. Plus, I really hate to let people down, so my sense of guilt for being a slacker can sometimes be enough to spur me back into action. If you have a critique partner, you already know there’s nothing better for motivation than commiserating with a fellow writer. If you don’t have a critique partner, find one. It’s amazing what having a little accountability can do.
  • Work on something easier: I find blogging to be exceedingly easy compared to fiction. (Although this week has been like pulling teeth, so maybe this theory is a bust.) Anything that uses what I call “Essay Voice” doesn’t require as much thought for me. So I use it to get the words flowing. If fiction has come to a grinding halt for you, try working on something else. Either something that has fewer expectations of greatness because you’re less invested in it, or something that uses a less formal voice. Even Tweets and Facebook can count. Sometimes. Just don’t let your social-media addiction derail any motivational value you might get from them.
  • Deal with the To-Do list: I’ve found that I can’t write a darned thing when my To-Do list is as high as Mount Everest. So when my internal stress-alerts start to sound like a bomb about to explode,  I take a deep breath, set aside any thoughts of writing and tackle that list one step at a time. Eventually, I get to the end and am able to write burden free. Distraction is a writer’s worst enemy, so whether you’re worried about finances, your house needs a thorough bath, or your DVR is about to overflow and erase all your favorite shows (No? That last one’s just me? Awesome), face the demon. Take the time you need to deal with that particular set of worries. Balance your checkbook; figure out where all your money is going and how to stop bleeding green. Clean your house. Watch those shows. (I really want you to be a couch potato, don’t I?) Do whatever you have to in order to clear your head. Then get back to writing, when motivation isn’t being buried beneath six feet of stress.
  • Take a nap/bath/shower: Creativity is akin to dreaming in many ways, so doing things that promote that state of mind always helps. For me, those activities are sleep (which is also beneficial if you’re a walking zombie and can’t even function, let alone write), or anything related to the shower. Don’t ask me why the combination of hot water and bubbles cues up the movies in my head, but I swear, the shower is the best place for me to write. If only they made waterproof laptops I could install in the tile wall. Point is, whatever location is most conducive to your imagination, go there. Maybe it will trigger something.
  • Force it: This rarely works for me, as evidenced by the somewhat lackluster drivel of this post, but for some people, it’s the only answer. If I try to force it, kicking and screaming like a kid about to go to the doctor for a shot, I spend the whole day staring at a blinking cursor and end up with four sentences I delete later anyway. So this is a last resort kind of thing for me. But maybe you’re the kind of person that can grit your teeth and force your muse to play like a bully forcing an unlucky victim into a locker. If you can, then more power to you. My muse is too fragile for that kind of brutality. It would leave me forever if I tried that approach.
  • Give up and wait for the Blahs to pass: Sometimes you really just need a day off. I’m an admitted workaholic, so I take a true day off once every 3-4 months. (A “true day off ” meaning that I plunk my butt on the couch and watch as much TV as I can in a single day.  See?  You wouldn’t be alone in couch potato-land. Come join me; it’s fun!) And I immediately feel guilty for it. But sometimes, you really just need to recharge the batteries. Our beloved phones can’t run on empty, so why should we? Remind yourself it’s okay to be a slacker every now and then, and give yourself a break. The Blahs will pass once your battery hits full and motivation will return with a vengeance.

Now, it’s your turn. What are your strategies for jump-starting motivation? Maybe you have some nifty tricks up your sleeve that I haven’t tried yet. Feel free to share in the comments below.   ;)

From the Editor’s Desk: Link by Summer Wier

I know, I know, lots of book reviews lately! What can I say? I’ve been a reading fiend. (Okay, not really. I was just really far behind on my reviews and finally had a chance to start catching up.) But today’s post comes to you as part of a blog tour, so if you must blame anything, blame that. Although, I think after you hear a little more about today’s book, you won’t be feeling the need to place blame at all; it’s a cool one. I promise.

It’s also one that I had the pleasure of assisting into the world, hence the title of the post. Everyone knows what that means now, yes? I can skip the disclaimer? (For those who don’t, it means I was the editor on the project, and this is my way of sharing my excitement for it with all of you.) Then let’s get to the review, shall we?


by Summer Wier

Link Cover

For seventeen-year-old Kira, there’s no better way to celebrate a birthday than being surrounded by friends and huddled beside a campfire deep in the woods. And with a birthday in the peak of summer, that includes late night swims under the stars.

Or at least, it used to.

Kira’s relaxing contemplation of the universe is interrupted when a piece of it falls, colliding with her and starting a chain of events that could unexpectedly lead to the one thing in her life that’s missing—her father.

Tossed into a pieced-together world of carnivals and gypsies, an old-fashioned farmhouse, and the alluring presence of a boy from another planet, Kira discovers she’s been transported to the center of a black hole, and there’s more to the story than science can explain. She’s now linked by starlight to the world inside the darkness. And her star is dying.

If she doesn’t return home before the star’s light disappears and her link breaks, she’ll be trapped forever. But she’s not the only one ensnared, and with time running out, she’ll have to find a way to save a part of her past and a part of her future, or risk losing everything she loves.

Dreamy, fluid, and beautiful, Link pairs the mystery of science fiction with the minor-key melody of a dark fantasy, creating a tale that is as human as it is out of this world.

Link is, in a word, unique. I’m not sure I’ve ever come across a book quite like it. It’s solidly science fiction, but I’ll admit that for the first third (up until a certain scene I can’t talk about because it would spoil it), I did wonder if it wasn’t actually dark fantasy. The truth is, it’s sort of both, crossing and blending the genres in a way that’s wholly original and entirely fascinating.

The thing I love about this one is that it’s not nearly as straight-forward as it seems at a glance. Yes, it is YA, and as such, features the usual teenage angst and romantic sub-plot, but it’s also handled in a way that feels authentic and doesn’t detract from the multi-layered plot that forms around it. Kira approaches her situation with all the acumen and maturity expected of a seventeen-year-old who’s suddenly had everything she’s known ripped away.

Mystery, adventure, and even danger face Kira as she struggles to come to terms not only with the fact that there’s more to the universe than she ever imagined, but also with the truth behind her past and her own identity. Wier manages to keep what is arguably a very personal journey for Kira at the center of the story, weaving an intricate and even somewhat plausible world (as a recent discovery by Stephen Hawking supports) around a framework that is easy to relate to and entirely human. The relationship between Kira and her mom is especially poignant, and something not often seen in YA literature, where absentee parental figures tend to reign.

The first in a trilogy, Link sets the stage for what promises to be an exciting and refreshingly original contribution to the genre. With simplistic prose that is at once lyrical and genuine, Wier paints a splendid, sometimes emotional tale that barely scratches the surface of what her world has to offer. She’s definitely a debut author to keep an eye on, and I, for one, can’t wait for the second installment.

Book Links: Amazon | Goodreads | Barnes & Noble