Thoughts

Falling in Love With the Subgenres of Romance

KWhipkey 7 Comments

After the popularity of my post on the various subgenres of Fantasy, I decided it was unfair to leave authors of the other common genres in the dark. Categorizing your work is one of the most difficult parts of the process, and it’s easy to see why authors struggle. So if I can help by providing a list of the various subgenres and their definitions, shouldn’t I? That’s exactly what I thought, too. So over the next few weeks, I’m going to do just that. Starting with Romance.

When I say “Romance,” I bet three-quarters of you instantly picture Harlequin and a ripped, shirtless dude who’s apparently never heard of a hair cut fawning over a buxom girl who tried to squeeze unsuccessfully into a corset three sizes too small for her chest. It’s okay. I did too. Because that’s the image we’ve been told embodies Romance. But as classic as that bodice-ripping image is, it’s not the whole picture.

Romance actually encompasses 10 separate subgenres, and as Romance fans can attest, each is distinctly different from the others. In fact, of all the popular genres of mainstream fiction, I’d hazard Romance is the only one where fans stubbornly refuse to read anything other than their favored subgenre. And that’s because of the dramatic difference between them. They’re almost so different as to not really belong under the same genre header. If it weren’t for the consistent narrative structure revolving around a love story with an emotionally satisfying end, these subgenres would have very little in common.

What are they? Let’s find out.
 

Contemporary Romance

 
Set after 1945, Contemporary Romance is the largest subgenre, cornering well over half of all Romance titles sold. It generally takes place in the time it was written and will reflect social behaviors of that time. For example, a Contemporary Romance set in 1950 would likely feature a heroine who’s primary goal is to get married, raise a family and be a good housewife, while one set in 2000 would probably feature a feistier, career-driven female with more progressive views on love. This subgenre shares a lot of similarities with Women’s Fiction (a subgenre of General Fiction), but a Contemporary Romance always focuses on the romance while Women’s Fiction can focus on any life change relevant to women.
 

Historical Romance

 
This is the only subgenre to have subgenres of its own. The only stipulation is that it be set prior to 1945 and, of course, the plot must be centered on romance. Other than that, it can fall into any of these subcategories:

  • Viking: Obviously features Vikings in the Dark or Middle Ages.
  • Medieval: Your typical Knight and Damsel in Distress situation.
  • Tudor: Set in the English time period of the same name — 1485 to 1558.
  • Elizabethan: Yep, more England. This time between the dates of 1558 and 1603, when the first Elizabeth ruled.
  • Georgian: Hey, look! More England! These take place between 1714 and 1810, during the historical period of the same name.
  • Regency: A super short time period in English history (yep, still England) — 1810 to 1820.
  • Victorian: Yet another moment in English history (Man! This subgenre really should be called English History Romance!) — 1832 to 1901.
  • Pirate: (Did anyone else just laugh over the fact this is considered its own thing?) I think the name speaks for itself, don’t you? Think Johnny Depp and Pirates of the Caribbean and you’re golden.
  • Colonial United States: Ah yes, now we get to the American-centric portion of history. This takes place between 1630 and 1798. So if Elizabethan or Georgian England isn’t your thing, cross the ocean and explore America instead.
  • Civil War: Typically, these are set on the Confederacy side (since everyone knows the Confederate South was a sexy place to be), but they don’t have to be. They just have to be set during the Civil War.
  • Western: I’m sure all of us just pictured cowboys. But those cowboys actually can be American, Canadian or Australian. These books actually focus on the experiences of the female though, rather than the male-centric version found in the Western genre itself.
  • Native American: These books explore Native American cultures as much as they tell a love story. They also usually contain some element of fighting against prejudice and paint a picture of cultural acceptance.
  • Americana: A simple subcategory, Americana takes place between 1880 and 1920 in Small Town USA.
  • Celtic: This is apparently not recognized as a thing, but I’m including it because I’ve personally read at least a hundred Romance books featuring Scottish or Irish backdrops, cultures and beliefs. That qualifies as a subcategory in my book.

 

Romantic Suspense:

 
Combining elements of the Mystery genre with Romance, this subgenre is a hybrid. It still features a relationship at the heart of the story, but is more plot-driven than its character-driven subgenre brethren.

The most common set-up is a woman who’s become a victim falling for a man who’s in a position of authority/protection — police officer, FBI agent, Firefighter, Navy SEAL etc. Solving the mystery around the crime brings them closer together and helps them fall in love.  The elements of suspense — mystery, thriller, etc. — become integral to the storyline, affecting the decisions the characters make and driving the plot forward. At the same time, the romance remains the focus, so those same suspenseful elements have a direct impact on the way the love story unfolds. All in all, this is one of the more complicated Romance subgenres to write, but it’s also one of the more fun to read.
 

Paranormal Romance:

 
Another hybrid, Paranormal Romance draws heavily from Fantasy. In fact, it’s considered a subgenre of Fantasy as well.

“Paranormal” simply means anything not normal, so the staple of this subgenre is weaving fantastical elements into contemporary settings. Vampires, Werewolves, Witches, Demons, Psychics — all are fair game in this subgenre. The most common settings pull from Urban Fantasy or Dark Fantasy, but there are even some Historical settings out there. Sometimes the larger culture is aware of the paranormal happenings in their midst (à la Charlaine Harris’s Sookie Stackhouse novels) and other times they’re not (à la Stephenie Meyer’s Twilight Saga). But almost always, a Paranormal Romance blooms between a human, and something not-quite-human.
 

Science Fiction Romance:

 
Science Fiction Romance is to Science Fiction what Paranormal Romance is to Fantasy. Meaning it pulls heavily from the Science Fiction genre, weaving in futuristic, alien or technological elements. The only difference between a regular Science Fiction tale and a Science Fiction Romance is the focus of the plot. Just like all Romance, the heart of a Science Fiction Romance is the blossoming love between two main characters. Now, whether those are both human characters on some outer-space road trip, or a human and an alien on some exotic, distant planet is up to you.
 

Time Travel Romance:

 
I’m honestly not quite sure why this gets its own dedicated subgenre. Depending on the set-up of the time travel, whether it’s magical or scientific, it could easily fall within the requirements of either Paranormal Romance or Science Fiction Romance.  But, apparently I’m wrong, because this is listed on multiple sources as a Romance subgenre.

A Time Travel Romance obviously has to contain an element of time travel. Whether you have a character traveling back in time to find their soul mate or have someone travel forward in time for the same thing doesn’t really matter. What does matter is that while you create the usual romantic plotline, you also pay attention to the clash of cultures. Time Travel Romances offer a unique way to filter viewpoints on current and past society through the lens of a character outside of it. In that sense, they can also contain aspects of morality or satire.
 

Inspirational Romance:

 
Inspirational Romance is a subgenre aimed at a specific niche of readers. It combines strong Christian elements with the more traditional aspects of Romance. However, because it does conform to the Christian belief system, it typically doesn’t include things like gratuitous violence or swearing, and sex, if it’s shown, only happens after marriage. The entire thing has a chaste, traditional courtship feel that appeals to readers wanting the warm and fuzzy experience of true love conquering all without the grit or vulgarity.
 

Erotic Romance:

 
I think there may be something intrinsically wrong with listing this directly under Inspirational Romance, but oh well. Just like Inspirational Romance targets a specific group of readers, so does Erotic Romance. And they’re at complete opposite ends of the spectrum! Where Inspirational is clean and innocent, Erotic Romance is dirty and explicit. It contains strong sexual content and frank language. But despite the heavier emphasis on sex and frequency of the sexual scenes, Erotic Romance stills contains developed characters and plots that could stand on their own without the steamier bits.  Technically, I would say E.L. James’s 50 Shades of Grey is an Erotic Romance. If you strip out the many sex scenes, you’re actually left with a semi-decent story of two people learning to love.

One thing to note: Erotic Romance is not the same as Erotica, which is its own genre. In Erotica, the sex scenes are all that matter, taking up three-quarters of the book at the expense of well developed characters or story.
 

YA (Young Adult) Romance:

 
This is a newer subgenre, and may not even be fully recognized as such yet. But I’m choosing to list it as its own thing because it has a distinct set of requirements just like the others do.

YA Romance targets readers between the ages of 15 and 18. It deals with things like first loves, first kisses, and losing one’s virginity — themes appropriate for the target audience. The romances are passionate in the way that only teenagers can pull off, and the prose is typically kept at a PG-13 rating. So while there are some steamy parts, they’re not as explicit as those contained in books intended for adults. Why is this worthy of a subgenre designation? Because more and more titles are being released that would fit; titles where the primary plot focuses on the romantic relationship between the characters and not something more external and grand, like saving the world. They can fall within any of the previous subgenres, but due to the specific age range of the target audience, I feel they should be set apart.
 

NA (New Adult) Romance:

 
The newest subgenre on the block, New Adult is quickly gaining popularity. Like Young Adult, it targets a specific age range — 18 to 25 — and deals with themes like discovering one’s self, leaving home for the first time, finding a career, etc. It also incorporates things like overcoming that first heartbreak, committing to a serious relationship, starting a family, and other things that resonate with readers in that stage of life. It lifts the PG-13 rating of YA, including more explicit sexual content and stronger language. How is it different from other adult romances? It’s not, really. Aside from the specific thematic elements and the target audience, it’s much the same as what you’d find in more mature titles. Why did I give it its own designation then? Because it’s the cool thing to do. Duh! Just kidding. It’s because it does have stipulations, requirements that dictate the path of the story. That’s what defines all the other subgenres, so why shouldn’t it come into play here?

And there you have it. As you can see, these subgenres vary widely, crossing over into the other mainstream fiction genres and back again. The main thing to remember is that while romantic subplots can and are included in nearly all genres of fiction, only plots where romance is the driving force can be considered true Romance. Regardless of which subgenre they are, they all must boil down to one simple thing — a story of two people falling in love who eventually end up together. If that sums up the core of your story, congratulations! You’re a Romance writer. And with Romance remaining among the most popular genres, there’s definitely no shame in that.

Next week, we’ll continue our exploration of subgenres by meandering through the intimidating number Science Fiction sports. In the meantime, if you feel I’ve miscategorized, misrepresented or just plain missed a Romance subgenre, feel free to add/correct in the comments below. As always, thanks for reading! 🙂

How to Write Martial Arts Fight Scenes

KWhipkey 6 Comments

Fight scenes. Whether live action or written, they can be such a pain to pull off, falling all too easily into the realm of cheesy. You know the ones I mean; we’ve all seen and read them– fight scenes where the creator was more focused on what looks cool and/or badass, and less so on believability.

Recently, I sent a frustrated plea to the Twitterverse, begging authors to do their research before including the martial arts in their fights. Believe it or not, it wasn’t until after I sent that plea that the light bulb appeared and I realized I’m in a unique position to help my fellow authors. As both a martial artist and a writer, I have insight that could help authors overcome the hurdle of fight scenes. So today, I’m going to use that background to dissect a written fight scene and hopefully illustrate how to effectively incorporate martial arts techniques. About time, right?

First, let’s take a look at what you don’t want to do.

_________

Charlie grunted as his back slammed into the wall, his opponent’s hands wrapped thoroughly around his throat. He struggled, trying to kick his opponent in the groin but only managing to connect with the man’s shin. The attacker snarled, loosening his hold on Charlie’s neck. Without pausing, Charlie threw his left arm between them, turning to the side and trapping the attacker’s arm against his own chest before elbowing the man in the face.

The attacker stumbled backwards, grasping at his bleeding nose. Charlie didn’t wait. He had the upper-hand. He advanced toward his opponent, his hands raised to guard his face, his body relaxed into a sparring stance. The attacker glared up at him, straightening into a matching stance.

With a yell, Charlie threw a round-kick at the attacker’s head. His opponent ducked, sliding between Charlie’s legs on his knees and jumping to his feet with a swift kick to Charlie’s back. Charlie stumbled forward, turning to face his attacker before he was struck again and instantly ducked the knife hand strike aimed at his head. Charlie responded with a flurry of punches, varying his target from the man’s head to his torso and back again. The man blocked most, but a few landed, knocking the attacker from his feet.

Charlie stood over him for a split second before finishing him off with a well-placed axe kick to the sternum. As the attacker rolled on the ground, sputtering, Charlie ran for the safety of a nearby cafe.

_________

Now, that’s shockingly not as bad as some I’ve seen, although it’s sure not going to win me a Pulitzer either. Some of you may even think this is an alright fight scene, aside from the obvious grammatical flaws that could be fixed with a few more drafts. But this is the example of what not to do, remember? So let’s figure out why.

Did you notice that I gave you very little about why this fight is happening, or where? I didn’t even give you the attacker’s name! But I did tell you in agonizing detail the techniques they’re using and where the blows land, placing all the emphasis on the choreography, and none at all on the characters or motivation behind this moment. The result? A laundry list of steps you could re-enact, but that you feel not at all.

That’s because this approach is all telling. That’s right, the infamous telling vs. showing debate. I tell you exactly what’s happening, but I don’t show it at all. You don’t feel invested in Charlie’s situation. You don’t feel the emotions. You feel excited, sure, because it’s action, and even poorly written action is exciting. But it has no lasting impact on you, does it? This scene is about as forgettable as they come.

It’s also unrealistic. Who out there noticed the completely implausible choreography I threw in? I know the martial artists in the audience did, because it screams “cool factor,” it’s entire existence a nod to something awesome and badass, but that in reality is actually physically impossible.

If you guessed the knee slide under Charlie’s legs, you’d be correct. Bravo! You get a cookie.

This is why it’s important to understand the dynamics of a fight, not just the choreography. Those who have done a round kick know that while performing it, you balance on one leg, your body positioned so that your center of gravity is entirely over that back leg. If someone were to try and go through your legs the way I described, they would take out your supporting leg and you’d both end up in a flailing pile of limbs.

And then there’s the knee slide itself. If you read it closely, you realized the attacker is standing still. Where’d he get the momentum for a knee slide? Unless they’re fighting on a slick, hardwood floor that’s just been mopped, he would need a running start. I don’t know about you, but if I tried to drop to my knees to slide anywhere, I’d be sitting on the floor looking like an idiot asking to get kicked in the face. It’s just not believable.

So let’s try that scene again, this time, fixing all those things I called out.

_________

Charlie grunted as his back slammed into the wall, Eric’s hands wrapped around his throat. Hate emanated from his friend’s eyes, judgement and accusation burning them into a sinister shade of blue. Charlie gasped, choking as Eric’s fingers cut off his air like a tourniquet.

His mind screamed at him, desperate to know why it was being punished. His lungs burned, his mouth working like a fish on dry land, sucking in nothing but fear. The edges of his vision started to grow fuzzy, black dots appearing over Eric’s shoulder, distorting the red glow of the club’s EXIT sign like reverse chickenpox. Panic flooded his veins with adrenaline. He struggled, clawing at the fingers sealed around his throat. He tried to kick Eric in the groin but only managed to connect with his shin, the impact ricocheting painfully through his foot.

Eric snarled, loosening his hold, giving Charlie the opening he needed. He threw his left arm between them, turning to the side and trapping Eric’s arm against his own chest before elbowing his best friend in the face.

Eric stumbled backward, grasping at his bleeding nose. Charlie didn’t wait. He advanced toward his opponent, his hands raised to guard his face, his body relaxing into the sparring stance he’d practiced for years– knees bent, weight forward on the balls of his feet, head lowered. Eric glared up at him, straightening into a matching stance. Their eyes locked. It was just like old times, only now there was no one to referee the match, to stop it before it went too far.

All this for a girl. Charlie knew it was ridiculous, that he should walk away, but fury mixed with adrenaline, coursing through him like a pulsing heat. If Eric wanted a fight, that’s what he’d get.

With a yell, Charlie threw a kick at Eric’s head. Eric ducked, sliding easily into a leg-sweep, knocking Charlie’s support from under him. The ground smashed into his back, forcing the air from his lungs in a rushing wheeze. He rolled backwards to his feet, still fighting against the tightness in his chest. Eric closed in on him, pushing his advantage, arms and legs flying. Charlie blocked as many of the blows as he could, his arms jarring in their sockets every time he did, his ribs and face blossoming with pain every time he didn’t. He stumbled back through the shadows of the alley until he was once again cornered.  Cringing, he held his hands up in surrender. Eric backed off, eying him warily as he spit blood onto the darkened pavement.

Charlie’s knuckles were bleeding, his ribs bruised, and his lip split into an oozing gash. It was time to end this.

“Alright, I give,” he said,  the words gravelly and pained as he forced his battered throat to work. “I’ll never go near your sister again.”

_________

Still not the most epic writing sample, but you see the difference, I hope? Now we not only know who Charlie’s fighting, but why. I’ve also fixed the choreography so that it’s believable, and added emotional content and description, putting the focus on the characters instead of the martial arts. No one cares about the techniques, but they care a lot about how those techniques feel, the emotion behind the action. Understanding that is the difference between creating a scene from a clinical distance and creating a deeper POV that will resonate with readers.

So, how can you take your fight scenes from flat to amazing? Easy, just remember these three things:

  1. Show, don’t tell. The techniques themselves are not important, the emotion is. Only use a technique name if there’s a reason we need to know the exact kick, etc.
  2. Believability is king. Never throw something in just because it sounds awesome. Make sure it’s actually physically possible and makes sense with the choreography and your world.
  3. When stumped, ask an expert. If you’re at a loss, find someone familiar with the martial arts and ask. Don’t just rely on Google and Youtube. They won’t give you the insight personal experience can.

That’s really all there is to it. Not so hard after all, is it? And if you ever find yourself in need of some martial arts feedback, I’m always available. Just send me a note with your questions and I’ll happily provide some help. 🙂

Camp NaNoWriMo and the Final Outcome

KWhipkey 13 Comments

We have officially reached the final days of Camp NaNoWriMo and my last post in this series. Technically, it goes until the middle of next week, but I figured you guys were tired of hearing about it, and not much is likely to change between now and the actual close of the competition. So I’m gonna call it, throw in the towel, and give you my final verdict on the whole shebang a tiny bit early. Sound good? Good.

What is the final outcome? Did I manage to do the impossible and write the full 50,000 words? Well, that’s a resounding NO. But I’m not sure that’s really the point of Nano anyway. I mean, yes, that’s the goal, but I don’t think it’s the point. I think the point is to learn– learn about yourself, about writing, about stress and time management, about your previously undetected penchant for binge drinking. (No? Not the last one?) Sure, it’s nice if you “win.” But if you don’t manage to cross that 50k word finish line, do you really lose? Does not finishing mean you failed? I guess that depends on how you choose to look at it.

Success is an arbitrary term, defined by a subjective set of measurements. By the definition of the competition’s rules, no, I didn’t succeed. I failed miserably. But that’s just depressing, so I’m choosing to measure my Nano success not by the number of words I managed to write, but by the number of things I managed to learn during the process. Which, you’ll see, is quite a few.

Thanks to Nano, I now know the following:

1) I am not, and likely will never be, a morning person.

By “morning,” I mean early, butt-crack of the day, before the sun rises “morning.” My grand plans of getting up at the same time my husband goes to work, at the ungodly hour of 5 am, lasted for about two days before getting tossed out the window. Turns out, I’m just not functional before 7:30. The couple days I did manage to resist the siren’s call of the bed resulted in a complete lack of productivity and feeling like a zombie for the rest of the day. So I decided it wasn’t worth it and reverted to burrowing back under the covers for an extra hour and a half cat-nap. Lazy? Maybe. I prefer to think of it as self-aware. 😉

I can now say with 100% certainty that my optimal creative time is between the hours of 8 and 11:30 am. (Right smack when I have to be at work. Lucky me!) After that, I battle with Food Comas and the Afternoon Blahs and am really pretty useless until about 5 pm. (Mexico has it right with the whole siesta thing. Maybe I’ll move down there.) I think, if given a lifestyle that allowed it, I would probably find I’m a night owl like my mom. But for now, I’m stuck wishing I had a brain-cells optional job that conveniently needed me only in the afternoon.

2) Nano isn’t really intended for adults.

Let’s face it, being a grown-up is extremely over-rated. Why we spend our childhoods fervently wishing to grow up so we can be saddled with responsibility, burdened by debt and shackled to jobs we hate, I’ll never understand. But I’m just as guilty as everyone else for wishing it and not a day goes by that I wouldn’t give just about anything for a do-over, for a chance to be 16 again and have the boat-loads of time I wasted back.

But I’m getting off track.

I noticed that most of the successful people in our REUTS Publications team competition were young. Teenagers, actually. Which immediately turned my jaded 31 year old self into an emerald of jealousy. Of course they stomped on me! What else do they have to do in the middle of summer? Even if they are working, legally, their hours are limited to hobby status rather than the mind-numbing tedium of a full time job (or three, in my case.) So they have the time to dedicate to churning out insane amounts of words in a short period of time. Therefore, it’s my firm belief that Nano was formed with them in mind, because the rest of us will find it nearly impossible to carve out enough time between family, work, housekeeping/life maintenance, etc. to keep up with the word count requirements necessary to win. And yes, I am a little bitter about that.

3) Plotting works better than Pantsing.

I haven’t outlined in years. Well, aside from a loose blocking-in of scenes so I don’t wander completely off the reservation while writing. But in terms of a true outline? I think the last time I wrote one was in like 2006. So I’ve obviously considered myself a Pantser. (For those non-literary folks in the audience, a Pantser is someone who writes by the seat of their pants, as opposed to a Plotter, who maps everything out ahead of time.) But I knew going into Nano that I didn’t have a chance in hell of actually reaching the goal if I continued that way. So I opted to set aside the complexity of my current projects and work on something different. Something old.

That’s right, I dredged up that outline from 2006 for what could be considered a standard Fairy Tale and proceeded to have at it. Guess what I found? It’s easier to write when you know where you’re going with it! (Hello, Captain Obvious.) Because I knew this story’s plot inside and out, I didn’t have to waste time trying to figure out what came next and just focused on the characters. The result? 868 words in less than an hour. Maybe that doesn’t sound like a lot to most of you, but that’s a personal best for me. Normally, it would have taken about a week to get that much done on Unmoving. So I definitely recommend becoming a Plotter if you’re going to give Nano a try. I may even be jumping the fence to Plotter-ville permanently after seeing the difference it made in my productivity.

4) Technology is your best friend.

If you, like me, don’t have the luxury of being a teenager or a full-time writer, then listen carefully to this next bit– Technology is your best friend. Seriously. I would never have been able to squeeze in as much as I did without the aid of cloud-computing, smart phones and an iPad. Thanks to Google Docs (which I highly recommend), I literally carried my manuscript in my pocket, so whenever I had even 30 seconds to jot down a couple of words while sitting in traffic, I could. (I don’t actually advocate that. Texting and driving is bad. Don’t do it.) Pretty much everything I wrote happened while waiting to pick up the hubby from work, during my lunch break, while I cooked dinner or just about any other moment I could steal away between tasks. Technology is a beautiful thing, people. Embrace it.

Those are just a few of the lessons I’m walking away from Nano with, along with things like:

  • Writing action in first person is ridiculously difficult.
  • I can actually spew out a rough draft that isn’t complete crap– just mostly crap.
  • Energy Drinks are toxic and will make you look like a tweaker. (I already knew that, but it was reiterated.)
  • Simple narratives are fun but will inevitably try to complicate themselves.
  • Nano is quite possibly the best and worst thing any writer can attempt.

All in all? I’m glad I was forced to give Nano a try. Even though I didn’t win, I feel like I learned some really valuable lessons, things I hope will work to my advantage now that I’m free to return to my normal sloth-like pace. So believe it or not, I actually recommend it. There’s another one coming up in November. Give it a shot and see what things you’ll learn about yourself in the process. And for those of you who’ve already done it, what lessons did you come away with? Did any of them stick?

Camp NaNoWriMo and the Impatience Demon

KWhipkey Leave a comment

Alright, week 3 of the REUTS Publications Camp Nano Team Competition is ending, and I’m starting to look like the stress ball I’ve become. My hair has definitely taken on a few more strands of silver, Carpal Tunnel has taken up permanent and painful residence in my right wrist and I’m pretty sure my blood is now caffeine. And don’t even get me started on the pounds I’ve packed on thanks to stress-eating several tubs of ice cream. Yeah, I told you this wasn’t going to be pretty.

Turns out, there’s a downside to curing the Perfection Plague. Just when you think you’re free and clear, it appears. Spawned from the depths of River I-Can-Actually-Do-This located in 50,000-Words-in-a-Month-is-Nothing Land, the Impatience Demon will take every shred of patience you have and maul it into nonexistence. And if you’re already an impatient person, well, sorry to say, you’re just doomed. You may as well have a bullseye tattooed on your forehead, because it’s coming for you, and, like the Grim Reaper, there’s no escaping it.

(What? Every camp needs a good ghost story, doesn’t it? 😉 )

I’ve never considered myself a patient person. In fact, before I discovered the beauty of headphones, I was that kid that asked, “Are we there yet?” every 5 minutes on a road trip. So it’s not surprising that Camp Nano’s Impatience Demon found an easy target in me. What is surprising is the level to which it pushed me, sending me so far off the cliffs of bitterness and resentment that I became paralyzed. I’m sure you can guess what happened to my word count after that. Yep, last week was definitely not my shining moment productivity-wise.

What does an Impatience Demon haunting look like? Well, something like this:

You wake up feeling slightly sick to your stomach but sure you’re going to get things done. A few deep breaths and you’re good. You’ve got this. Until you realize that, oh crap, you have to go to work or that empty refrigerator isn’t going to get filled.

Grumbling, you punch in to your daily sentence at the Dreaded Day Job, only to get slammed with things that interfere with even thinking about writing, let alone sneaking a few minutes to do it. But you push through, growing more and more resentful with every paper that lands on your desk.

Eventually, your time is up and freedom is yours. Except, oh yeah, you have to put gas in the car. You roll up to the gas station and it’s got a bazillion idiots in front of you, lollygagging around the pump like it’s an ice cream social. When it’s finally your turn, you run into problems with your rewards points, say “screw it” after a few failed attempts, pay full price and head home– only to get stuck in traffic. Every jerk on the planet decides to cut you off, because apparently understanding the concept of merging lanes isn’t required to obtain a driver’s license anymore and you end up inching feet at a time until that 7 mile drive feels like 200 and you’re pretty sure you could have walked home faster.

You step in the door with a few minutes left before dinner, but you still don’t get to write. There’s a pile of bills you have to deal with first, and you watch your bank account dry up like a puddle in a drought. That’s Ok though, you didn’t really want to eat this week anyway. It’s now dinner time, so you scrounge around in what’s left of last month’s groceries and concoct something passably edible.

Now you get to write, yes? Nope, because there’s laundry to fold, dishes to clean, people to pay attention to, and oh yeah, your DVR is about to implode. You tackle all of these things, growing more and more irritated at anything that stands between you and the computer until finally, you get a moment to yourself to write. There’s only one problem, you can’t concentrate.

Focus? Yeah, you kiss that goodbye as it floats out the window on the laughter of the Impatience Demon.

Sounds a lot like the Procrastination Monster, doesn’t it? Except for one major difference– the Procrastination Monster gets it’s power from distraction, while the Impatience Demon’s comes from a lack of control. You want to write during an Impatience Demon attack, you just can’t, resenting everyone and everything that keeps you from getting to your manuscript.

I was actually shocked at how quickly I went from happily going about my daily routine to uttering streams of expletives worthy of a sailor over every little thing. I have never hated folding laundry so much. Or checking social media. Or answering emails. Or even watching TV! And you know if I’m resenting the DVR, there’s something wrong. That’s when I figured out I was being haunted, that my impatience had reached such a toxic level, I was in danger of burning everything to the ground in frustration.

So I did the only thing I could– I walked away. I disconnected from everything, buried my head in the proverbial sand for a couple days and pretended the Demon didn’t exist. Not my smartest move; it completely backfired. When I came back, the Demon was still waiting for me, except now it was armed with a mess load of things I was behind on.

But if I failed to exorcise the Impatience Demon, how is this lesson helpful? Because, Grasshopper, I didn’t fail.

Yes, I lost the battle, but admitting that I lost allowed me to find my fractured focus, pick up the pieces and glue them back together with a renewed sense of purpose. I called on all the Martial Arts training I’ve had to find discipline and all the tricks from decades of fighting Depression to forcibly change my thinking back to the positive. Essentially, I stripped the Demon of it’s power. And you can too.

When you find yourself starting to drown under the avalanche of things you can’t control, hating everything around you and sending your loved ones scrambling for cover from your fire-breathing nastiness, try this:

Step 1) Find an appropriate outlet for all that pent up rage.

Go for a run, punch something (preferably not your loved ones), escape to the library, the beach, or anywhere that grounds you in tranquility for a few hours. You’ll feel the Demon’s poison leech from your brain, and when you return home, you’ll be ready for step 2.

Step 2) Remind yourself to see the silver lining.

This step is the hardest. It takes a lot of will power and self-realization/acceptance to change your thinking. But it is possible. All it takes is stepping outside of your negative thoughts, realizing that your perspective is skewed and forcibly changing your thought process, focusing on positive things instead. (I make it sound so easy, don’t I? Trust me, it’s not. It took me years to master it.)

For example, say you’re royally ticked off about having to do the dishes, your thoughts swirling around an image of breaking plates on the wall. Recognize that thought as negative, realize that your emotion is far more violent than the situation warrants, and press pause. Now, try to think of what’s good about this particular activity, like the fact that you won’t have smelly dishes stinking up your kitchen, the feel of the warm water, or the smell of the soap. Once you have that positive thing in mind, press play again and your thoughts will take on a rosier disposition. See? Not that hard once you figure it out. The hardest part is recognizing when your thoughts take that turn down Negative Lane.

Step 3) One step at a time.

Now that you’ve let go of all your angst, the Impatience Demon is gasping for life. You’re just about free from its clutches. Instead of feeling overwhelmed, like everything is out of your control, take a deep breath and focus on a single task. Forget everything else. Put blinders on and just get that one thing done. Then move on to the next task on the list, focusing entirely on that one, and so on. Before you know it, you’ve conquered the entire list! Pretty slick, huh?

And there you have it. A simple remedy for surviving the Impatience Demon’s attack. I’ll bet, if you listen hard enough, you can still hear the echo of its last cry as it disappears in a poof of smoke. Feels pretty good, doesn’t it? Now take your victory and get back to writing. I know I’m going to. I’ve got one week left and a massive number of words to make up!

Camp NaNoWriMo and the Perfection Plague

KWhipkey 4 Comments

Week 2 of my participation in the REUTS Publications Camp Nano Team Competition (Whew! That’s a mouthful, isn’t it?) is drawing to a close and I’ve fallen further and further behind in word count thanks to the Procrastination Monster’s evil twin, the Time Thief. Just like the Dryer Gnomes, who sneak in when you aren’t looking to raid your socks, the Time Thief steals away minutes from your day. I’m sure you’ve had days where you start off well-intentioned, then life steps in and next thing you know, you look up to see it’s dinner time, and you could have sworn all you did was blink. Yep, that’s the Time Thief’s fault. Sometimes, if you listen hard enough, you can hear him laughing as he runs away with armloads of your missing minutes, grinning from ear to ear like the maniacal little bugger he is.

But that’s not actually what today’s post is about. No, I pledged to write each week about what I’d learned from my time spent at Camp Nano. What did I learn from week 2? That perfection is a plague.

Hey, don’t roll your eyes at me, Mister! I’m well aware that perfectionism is a common topic here on Nightwolf’s Corner, and you probably think I’m beating a dead horse. But hear me out; this time it’s got a different ending. I promise. 😉

The Perfection Plague is an illness that attacks your muse from the inside, slowly squeezing the life out of her like a giant boa constrictor. It’s highly contagious, spreading from writer to writer, and is eventually fatal– for the muse, not the writer. Symptoms include a tendency for alcoholic binging, a refusal to work when called upon, and abandoning you to the wolves of inner editors until you’re so frozen by the fear of writing something less than perfect that you write nothing at all.

If you’ve been paying attention to my posts over the past months, then it should be apparent that my own muse is bordering on being DOA. I’m surprised she hasn’t keeled over as it is. Maybe she’s slipping some kind of exotic cure made from rabid plot bunny fur into those fruity beach drinks she enjoys so much. I certainly haven’t been doing much to help her out, creating such high expectations for my overly-complicated, tangled narrative webs that some days, I can’t even bring myself to open the file for fear I’d just mess it up. Or, if I do manage to write, I agonize over it, revising and editing and sometimes just straight up deleting and starting over. Yeah, I’ve got the Perfection Plague bad. In fact, I’m probably Patient Zero.

But fear not, my fellow perfectionists, the Perfection Plague can be cured. (At least, I think. It’s kind of early to tell.) That’s where exercises like Camp Nano come in.

The whole point of Nano, if you recall, is to simply write. To throw all caution to the literary wind and get lost in the wild abandon of creative freedom like a naked hippie dancing in the rain at a music festival. Or, to be less poetic, to word vomit all over the screen until you hit that hideous goal of 50,000 words in 30 days. And, in case it’s not painfully obvious, that leaves very little room for perfection. In fact, it forces you to break the chains of expectation and just say @#%& it, following your muse down whatever weird and twisted rabbit hole she manages to find. It’s not pretty, and for a perfectionist, it can feel a lot like an exorcism.

But as painful as the process is, you learn something valuable– how to be prolific. Yes, nothing you write will be anywhere near your usual standards. Yes, you’ll feel like you’ve suddenly been struck with Schizophrenia as those inner editor wolves howl louder and louder. And yes, this novel will make your first attempts in grade school look like Pulitzer worthy masterpieces. But you know what? None of that matters. Because you’re writing. Constantly. And that lesson alone is worth the misery, the ulcers, the prescription for anti-anxiety meds you were forced to get when you ended up in the ER with a panic attack.

Seriously, it is.

I don’t know about you, but I had reached the final stages of the disease. I’d become so paralyzed with requirements for myself that my writing had come to a screeching halt. If I was lucky, I might eek out 300 words once a month. Maybe. On a good day. And part of that was due to the fact that I’d somehow gotten it into my head that I needed dedicated time to write. (Hmmmm, now where could I have gotten that idea from, blogosphere?) That I had to have the perfect storm of conditions– silence, hours of availability, limited distractions (I’m looking at you DVR), and inspiration. And if I didn’t have any of that, I didn’t write. The Perfection Plague had progressed from simply attacking the words I wrote to infecting the process itself, spreading like a cancer to overtake everything even remotely writing related. Even my plot bunnies were starting to suffer, dying with weak gasps shortly after birth because they weren’t strong enough to make it past the Gauntlet of Genericness. (Yep, totally made that word up.) A few were even eaten by the others in a fit of cannibalistic rage, combining their concepts into horrifying franken-bunnies I’m honestly kind of scared to write.

Then along comes Nano with a lovely little break from the complexities of Derek or swapping tenses in Kindred, or anything else I’d become mired in, and suddenly I was free. Like an asthma patient’s rescue inhaler, Nano cleared up my constricted creative passageways and I can write again. Freely. But more importantly, I now want to.  I actually look forward to those moments, however brief, I can steal some time to work on my manuscript; something I haven’t felt in years. I’m not saying that I’d stopped enjoying writing. Just that it had lost some of that sparkle of innocence you have as a teenager first starting out. When the pressure of creating a product worthy of charging money for didn’t exist and you hadn’t contracted the Perfection Plague yet. When you wrote simply because you loved it. That’s a nice feeling to remember.

I’ve written more in the last two weeks than I have in the last year, working whenever I can, even if all I have is ten minutes while I wait for my cup-of-noodles to cook. (What? I never claimed to be a culinary genius.) Is it brilliant? Definitely not. I’m embarrassed by the very thought of letting anyone read it. Does it terrify my editor side with the massive amounts of revision it will require? Most definitely. But that’s OK. My hope is that once Nano is over and this manuscript gets shelved in the darkest, dustiest archives of my computer’s hard drive, I can take what I’ve learned about being productive and apply it to my more complicated, perfection-mired projects and actually succeed in finishing them! If that happens, every second of torture endured will have been worth it.

I still don’t believe it’s wrong to be a perfectionist, that it’s a literary sin to edit and revise while you work, and I fully expect to return to that routine. But when that starts to stand in the way of ever finishing anything, when the Perfection Plague has withered your muse into a ghost, it’s time to try something new. After all, they didn’t coin the phrase, “Outside the box” for nothing. Care to join me?