Miscellaneous

The Writing Process Blog Hop

KWhipkey 6 Comments

This week, I was invited by the lovely Elsie Elmore to participate in the Writing Process Blog Hop. Normally, this hop is aimed at writers, giving each an opportunity to swap notes on how and why they work the way they do. But Elsie and I thought it might be nice to take advantage of my editorial insight and provide a look at the process from an editor’s perspective.  So we’ve modified the questions slightly in the hopes that my opinions will help those of you currently revising and/or querying for publication.

But first, let’s say hello to the sponsor of this post, Elsie. Without her, I wouldn’t have even known this was happening. So be sure to give her a shout out and check out her hop post from last week: Sharing the Writing Process.

Image of Author Elsie Elmore

Elsie Elmore

Elsie’s Bio:

Outside the city limits on a small patch of North Carolina land, Elsie Elmore lives with her husband, two kids, and two dogs.

She’s a science nerd with creative tendencies. And the stories she writes come to her from life’s experiences after her mind has warped them almost  beyond recognition. Her first YA PNR romance is due out this year from Curiosity Quills.

 

The Questions:

 
What are you working on?
 
Honestly? Too many things to list. If I were to talk about each one, we’d be here for eons!

The life of an editor is never calm, orderly, or filled with hours of blissful reading. (I just wrote a post about this, actually.) Neither are we typically allowed to reveal what we’re actually working on. But, I can tell you that I recently finished work on the newest release from REUTS Publications: Dracian Legacy. It’s coming out Feb. 25th and is currently available for preorder. 😉

I also have several more titles I’m working on for REUTS, as well as a few freelance projects. To give you an idea of just how busy I am, my calendar is filled with deadlines all the way to the end of December, and I’ve even got a few scheduled for the beginning of 2015! But that’s all I can say. For information on exactly which titles I’ve had my sticky little fingers in, you’ll have to check back. I’ll post an announcement about each under my From the Editor’s Desk series.

But that’s only what I’m doing as an editor. I’m also a writer. (And part superwoman, if you couldn’t tell. ;)) As with editing, I’m never one to commit to a single project. But, for the sake of keeping this relatively short, I’ll only talk about one — Unmoving. It’s an urban fantasy containing shades of Beauty and the Beast, Sleeping Beauty, Inception, and A Christmas Carol. Strange combination, right? Here’s the “official” blurb:

Derek Richards renounced his humanity after losing the woman he loved in a horrific car accident. Like flipping a switch, he turned off his non-cynical emotions –- including compassion and empathy –- and closed himself off from the world. But, three years later, his callous disregard has finally caught up to him.

After watching his current fling angrily storm out, he meanders through the streets of Portland to his favorite spot –- a park bench by the river. His peace and quiet is interrupted by a homeless woman, and he quickly finds himself entangled in a confrontation where money isn’t the only change at stake.

Now, literally turned to stone, he realizes karma’s giving him a second chance. Like Ebeneezer Scrooge minus the helpful ghosts, he has to relive all his bad decisions –- every selfish, incorrect choice he’s ever made –- and reevaluate his life. If he can’t find a way to redeem himself, he’ll spend eternity as a statue. But after what he’s done, maybe he deserves it.

 
Interested? I’ve done something a little crazy and made Unmoving available as a serial subscription, while it’s being written. What am I talking about? Click here for the full details.
 
What helps a writer’s work stand out from others in their genre?
 
Okay, back to editing mode. (Could I have stuck any more sales plugs into that previous section? Jeez!)

This is a hard one to quantify, since there are several ways a manuscript can catch my eye. But, I suppose, I would have to say that the fastest way to hook an editor is to bring something fresh to the table. Nothing is original, not in its entirety, but that doesn’t mean you can’t be unique. The thing about storytelling is that it revolves less around finding a plot no one has told before, and more around how you tell it. Even the most well-known, tired plots can be infused with something different and intriguing — the writer’s voice.

It can be as simple as a unique gift for unusual analogies, or it can be as grandiose as throwing a twist on a familiar concept that we didn’t see coming. But — and here’s the important part, writers — it has to be uniquely, authentically you.

A lot of times, people will hear this kind of advice and work too hard to craft what they think qualifies, resulting in a contrived, artificial style that editors see right through. We don’t want you to tell us the story you think we want to hear, we want you to tell us the story the way you think it should be told. It’s that subtle variance in perception that will make a work stand out, at least for me. None of us live exactly the same lives, so infuse your work with your own personal set of experiences, ideals, and outlooks, and it’ll ring true, rising above the others even in genres that are heavily saturated.

(As a small side note, it is true what they say about trying to follow the trends. While I would never discourage anyone from telling the story they want to tell, they should be aware that if they choose to write about a subject that’s over-saturated — e.g. vampires, zombies, demons — it will increase the difficulty of finding publication. But that doesn’t mean it’s impossible. 😉 )
 
What makes you fall in love with a concept or ms?
 
Hmmm . . . another hard one. This is a highly subjective question, so take what I’m about to say as the opinion of just little ole me. Other editors will have widely varying thoughts on this.

Contrary to what you may think, I don’t look for professional-grade polish. That’s my job, so why would I expect you to have already done it? (Note: most other editors do want this. So I’m definitely odd in this respect.) I look for potential. How do I define that? Well, part of it stems from my personal reading preferences, part of it comes from what I think the market would gravitate toward, and part of it is an assessment of the core message underneath the story.

So when I read a query, I’m not looking at how perfectly you wrote your hook, or how solid your synopsis is, or even if your first 5 pages are grammatically flawless. (That never happens, by the way.) I’m looking at what your story is really about. Things like whether or not the overall plot is intriguing, the character’s voice, and the underlying emotional context your tale is promising to deliver. As a structural (a.k.a. developmental or conceptual) editor, my gift is stripping away all the surface layers and understanding the core of a work. If that core message is engaging, chances are good I’ll overlook any other flaws, because, like I said, those are my job to fix anyway.

If you were looking for more of a bullet-type list, these are things I typically respond well to:

  • Strong MC voice (especially snarky ones)
  • Well-developed and unique world/culture/setting that I haven’t seen before (mostly pertains to speculative fiction genres)
  • A clearly defined message (What are you trying to say through this story? Every story has a message, whether you intended it or not–what’s yours?)
  • An engaging plot that speaks to my sense of entertainment
  • That spark of authenticity I mentioned in the above question’s answer 😉

 
What is the biggest editing tip you could offer that could help writers?

 
Believability and authenticity are king. Regardless of genre. Nothing kills a manuscript faster, in my eyes, than underdeveloped worlds or characters, lack of authentic details, and unbelievable motivations or actions. Storytelling is about emotional resonance. We need to connect with the characters, to live vicariously through them in this world you’ve created. And to do that, it needs to feel authentic and real. Often times, writers forget this fact, going for what I call “cool factor points”. Meaning they throw in far-fetched things that could never possibly happen, and then don’t even try to explain them. Obviously, I’m a fan of fantasy, so I’m definitely not saying that you shouldn’t push the boundaries of reality, just make sure that it feels like it truly could exist that way.

I’ve written quite a couple posts about these subjects, so instead of rambling on for days, I’ll just give you the links. Peruse if you wish. 😉
 

 
The second piece of advice I’d give is to divorce your words. This is one that will make going through the process of publication so much easier — on everyone. Often, writers submit their work under the illusion it’s perfect. I mean, why wouldn’t they? They slaved and slaved and slaved, and then slaved some more. But the reality is, a manuscript is never perfect when it lands on an editor’s desk. That’s why we exist. To help you achieve that next level, to provide an objective, expert eye. Can you guess what that means? Yep. We tear your precious, “perfect” baby to pieces and then stitch it back up again.

Now, what do you think happens when an author who’s married to every single word of their manuscript comes face to face with the brutal editing process? Yeah. It’s not pretty. So save yourself some trouble, learn how to detach yourselves from your words, and go into the querying process knowing full well that that “perfect” draft you submit is really just one more revision waiting to happen. Oh, and trust that your editor knows what they’re doing. I swear, we’re really not trying to hurt you on purpose. 😉

I did a longer version of this here: Divorce Your Words; Save Your Story.

That brings my portion of the blog hop to a close. I hope some of what I’ve said is helpful. I am always willing to answer questions, so if you have one about editing, indie publishing, or writing in general, please feel free to contact me. I promise I don’t bite. Most of the time. 😉

My part may be done, but the blog hop is far from over. Head on over to the blogs below and see what others have to say about the writing process. Take it away, ladies!
 

Author Photo of Sarah La Fleur

Sarah LaFleur

Sarah LaFleur:
Until December 2012, Sarah LaFleur was a working pianist and teacher. In the midst of a career change, she started writing a story. Less than 17 weeks later she completed her first full-length novel currently being shopped around for traditional publication.

Who Is Evelyn Dae? was born when Sarah decided to launch her writing persona (lafleurdeplume) on social media. By early September 2013, she connected with a wonderful community of writers and readers who convinced her to publish the website story as an eBook.

Sarah continues to write, and has several projects in the works including a sequel to her first novel, an adult science fiction book that stands alone, and multiple guest blog spots. She lives in the greater Chicago metropolitan area with her children, husband, cats, and piano.
 
Website: http://lafleurdeplume.com
 
Twitter: @lafleurdeplume
 
Facebook: http://facebook.com/lafleurdeplume
 

Author Photo of T.A. Brock

T.A. Brock

T.A. Brock:

T.A. Brock spends her days gleefully plucking words from the chaos of life and dressing them up so they look pretty. Then she calls them stories and tries to convince people to read them. She resides in the great land of tornadoes (Oklahoma) with her husband, two children, and her beloved Kuerig machine.

You can catch her on Twitter @TA_Brock or visit her blog ta-brock.blogspot.com
 

Author Photo of Jamie Ayers

Jamie Ayers

Jamie Ayers:

Jamie Ayres writes young adult paranormal love stories by night and teaches young adults as a Language Arts middle school teacher by day. When not at home on her laptop or at school, she can often be found at a local book store grabbing random children and reading to them. So far, she has not been arrested for this. Although she spent her youthful summers around Lake Michigan, she now lives in Florida with her prince charming, two children (sometimes three based on how Mr. Ayres is acting), and a basset hound. She really does have grandmothers named Olga and Gay but unlike her heroine, she’s thankfully not named after either one of them. She loves lazy pajama days, the first page of a good book, stupid funny movies, and sharing stories with fantastic people like you. Her books include the first two installments of her trilogy, 18 Things and 18 Truths. Visit her online via Twitter, Facebook, or at www.jamieayres.com.

Life Lessons of the Martial Arts: Revisited

KWhipkey 7 Comments

This week has been a little on the rough side. I’m not going to divulge the details, other than to say it’s not a week that will be remembered fondly. I’m actually still in the process of recovering from the emotional fall-out, and that generally includes a remedy of three things: chocolate, uplifting music that will bolster my shattered confidence, and remembering the lessons I learned while training in the martial arts. To that end, I’m going to do something unprecedented and re-visit a post I did about this time last year.

There’s a stigma in the martial arts that once you stop physically training, you’re no longer a black belt. While there is some merit to that argument — since, without practice, your self-defense skills rapidly become rusty — I humbly disagree. Those that learn the real lessons of the martial arts never lose them. They might not be able to do the most impressive jump spinning kick anymore, and they might not remember all their forms, but they still practice the things that make them better people, that make them black belts. Instead of an outward display, it’s internalized, crossing over into every aspect of their lives. So even though I’m currently on hiatus from my physical training, I don’t consider myself a former black belt. The intangible gifts I was given through Tang Soo Do are ones I’m grateful for every day, and they will continue to shape my life, my relationships, and how I conduct myself, whether or not I ever return to my training.

Which is why I felt this post needed to surface from the archives again. It’s not just an argument for why everyone should train in the martial arts, it’s a reminder to myself. These are things I strive to embody, and I know with absolute certainty that the situations referenced above would have played out quite differently if it weren’t for a few of these qualities. So thanks, Tang Soo Do. Without you, I wouldn’t be the person I am today.

And since I couldn’t say it any better than I did in that original post, I give you:
 

Life Lessons of the Martial Arts

 

by Kisa Whipkey

(Originally posted on 3/1/13)

 
Last week I mentioned how I apply a tenet I learned in the martial arts to my everyday life, and since it’s about time I branched away from writing/publishing to show my other categories some love, I think that’s a topic deserving of elaboration. What I’m about to say won’t be news to any of you that have trained, but to those of you unfamiliar with the martial arts, it may be enlightening.

There are three reasons that automatically come to mind when someone says they want to start training:

  • Discipline
  • Fighting/Self-Defense
  • Exercise

And for the most part, that sums up 90% of anyone’s motivation for enrolling. But there’s a lot more to the martial arts than that. Yes, it will help your unruly child learn to respect their elders and shut their mouth without the aid of duct tape. Yes, you will learn self-defense and how to fight. And yes, you will lose weight and tone muscle from all the exercise. But you’ll also miss the much richer elements of personal growth that society never glorifies if you only focus on those three things.

I learned a long time ago that you can easily spot someone who’s made it to black belt. Partly because all martial artists have a certain way of moving; a certain poise and grounded familiarity with their body that screams “black belt” a mile away. And partly because of the way they conduct themselves. There’s a reason they say martial arts is a way of life. It’s because, by the time you reach black belt, your training has gone beyond the physical techniques and has become an ingrained part of your outlook on the world.

Every style has their own philosophies and tenets, but I think there are several that are universal. Not because they’re part of an unwritten code of martial arts brethren, but because they’re the principles that make someone a better person. Things that should be common sense but that have been lost over the years to the majority of society. What are they? Let’s take a look and find out.

Integrity:

In a world where selfishness reigns, it’s refreshing to find someone that actually understands this word. And I would bet that 9 times out of 10, that person is/was a martial artist. Why? Because this is one of the core principles instilled by training. It’s also one of the first that spills over into everyday life. Integrity can be anything from keeping your word, to doing what’s right even when it’s not easy or for your own benefit, to taking responsibility for your actions. This is an attitude that translates to success in everything from school, to personal relationships, to career. A person with integrity is someone that can be counted on, and that’s a sure-fire way to the top of any pack.

Humility:

The second tell-tale sign of someone who’s spent time in the martial arts is humility. People who have learned this have an easier time connecting with others. Nobody likes a braggart, and arrogance is a one-way ticket to alienating all your potential allies. Martial artists learn the fine line of being confident in their abilities without the need to brag. (Well, most do anyway.) And that translates into things like leadership roles, community involvement, and personal satisfaction. Just like integrity, humility is a trait that instantly earns you respect and appreciation, without having to demand it.

Perseverance:

News-flash: life’s hard. It’s all too easy to throw in the towel and just give up, becoming complacent with whatever hand you’ve been dealt. Getting a black belt isn’t easy, either. It involves dedicating yourself to intense workouts, potential injuries and having to hit the floor hard. A lot. You will get knocked down, and you will get hurt. But you also learn how to get back up, how to roll with the punches, and how to achieve any goal you put your mind to, one step at a time. I think the parallel should be obvious. You can apply that same philosophy to anything in life, be that earning a college degree, starting a successful business, or just being present for your family. With a little perseverance, anything is possible.

Situational Awareness:

Self-defense is becoming more and more important, especially for women and young people. So many horrible acts of violence could have been averted if the victim had been more aware of their surroundings, or had avoided putting themselves in danger in the first place. Yes, the martial arts are about fighting, but more importantly, they’re about learning how not to fight. They teach you the self-control to walk away from situations that are turning ugly, and they teach you not to do so many of the stupid things that get people in trouble, like going places alone in the middle of the night, taking drinks from strangers that you didn’t see mixed, or getting in random cars with people you don’t know. The first act of self-defense is knowing how to assess the risks around you; a lesson I wish we taught in schools.

Altruism:

This one may come as a little bit of a surprise to those outside of the martial arts family, but it’s actually a pretty big element in our training, especially the higher ranks. Most styles promote giving back to the community, whether that be the studio itself or the community at large. Some even use it as a criteria for advancement. Which is why you’ll find a lot of black belts volunteering in their communities. The idea of paying forward the time and effort that was given to you, of showing pride and commitment to the people and places around you, is one that translates well into other aspects of life. You don’t have to join the Red Cross, or Habitats for Humanity, or some other grand organization of do-gooders to make a difference. Simply volunteering in your child’s classroom, helping a coworker with a hefty project, or donating your time at a library/care facility will make the world a better place. Wouldn’t it be nice if we all learned that a few moments of selflessness can make all the difference to someone in need? Maybe we wouldn’t see so much violence then.

Those are just a few of the positive affects I’ve seen the martial arts have. Every student will choose the lessons that resonate most sincerely with their own lives, and may not need every one, but you can guarantee they’ll be given the tools just the same. Whether you’re thinking of enrolling your child in the local studio, or whether you’re considering it for yourself, take a moment to think about what I’ve said here. Remember that it’s not just about learning to punch, kick, yell and break things. It’s about learning to be the best version of yourself. If that doesn’t convince you the martial arts are worthwhile, then I’m not sure what will.

And to my fellow martial artists out there, what lessons have you learned in your training? Share the ones I missed in the comments below. 😉

Featured Image: The Anchor

KWhipkey Leave a comment

One of my non-writing resolutions for 2014 is to showcase more of my art. I call myself an artist, (I even paid a boatload of money for a piece of paper certifying me as such) but all anyone’s ever seen from me is a single image.  So we’re going to change that. I realize this blog is primarily known for its writing/publishing advice. But you’ll bear with me if I slip in a few art-related posts, right? Especially if, like this one, they somehow pertain to my writing? I hope so, anyway, because here goes . . .
 

The Anchor

 
Image by Kisa Whipkey
 

Some of you may already be able to guess what this illustration is referencing, but for those who don’t know, let me explain. This is Nameless, from The Bardach.

The inception of the short story was pretty simple; it was written solely to explain how Amyli became Nameless, the lead Storyteller and anchor for the Nightwolf. What’s an anchor? It’s like a link, an access point. She’s essentially an empty vessel, strategically placed so that he can leave his realms and muck around in the human one. Wiped of her identity, Nameless’s mission is to travel around, imparting the messages the Nightwolf wants her to. Once human, she’s now a shifter, able to transform into the Nightwolf at whim.

There’s much more to their story, but that’s pretty much all you learn by reading the short version. This image was created around the time I was trying to figure out exactly what their relationship was. Originally, the Nightwolf didn’t have a companion, but after I realized that he was more than simply my logo (I’ve explained this in much more detail here), Nameless appeared. And once it became clear what her purpose was, The Bardach was born.

The sketch version doesn’t contain the wolf image. I’m actually more proud of that than this version, which was created in Adobe Illustrator after. But I couldn’t get it to translate well, so this version will have to do. Plus, you get to see one of my original interpretations of the bond between Nameless and the Nightwolf. Is this how it actually happens in the story? No. It isn’t. She fully transforms, because halfling werewolves are one of my pet peeves.  But this is meant to be a visual representation of their spirit bond, illustrating the fact that she has a wolf’s soul in place of her own.

If you’d like to learn more about Nameless or the Nightwolf, I suggest checking out their story. There’s an excerpt featured in my Published Works section, and there will be a new version releasing by the end of the year. Thanks for letting me share one of my images. I hope you’ve enjoyed this brief interlude from our normally scheduled program. Next week, I’ll be back with something more standard. What? I’m not sure yet, so if anyone has a request, please let me know! 😉

A Writer’s Resolutions: 2014 Edition

KWhipkey 4 Comments

I’m back! Did you miss me? 😉

Last year, I wrote a post about resolutions. This year, I’ve decided to continue that tradition and start an annual feature where I’ll detail my goals for the coming year, and look back on what I accomplished (or didn’t, more likely) from the previous list. I’m not talking about the usual suspects — the “I want to lose weight” (although, that is high on my list this year), “I want to be debt free” (a girl can dream right?), “I want to marry a prince and live on a floating island in the clouds” type of resolutions. No, I’m talking about the specific list that all writers make.

If you write, chances are this one features prominently: “I want to be published”. But like I pointed out in last year’s post, that has about as much chance of success as marrying that prince with the floating island. You need to be more specific than that. When you break a resolution into the individual steps you’ll need to accomplish it, it starts to look more real. To prove a point, I tried my own advice and created these resolutions for 2013:
 

Writing Resolutions 2013

 

  • Finish the rough draft of Unmoving
  • Upload Chapters of Unmoving every two weeks to Wattpad & Authonomy
  • Revise and Re-publish The Bardach, Spinning & Confessions via Createspace/Amazon KDP
  • Compile brief synopses of all plot bunnies
  • Write, Edit & Publish one new short story

 
How did I stack up? Well, I didn’t. According to that list, I accomplished exactly . . . nothing. Unmoving still isn’t finished (in fact, I technically haven’t written on it since July), it’s not featured on Wattpad or Authonomy (yet), my short stories languish somewhere in forgotten-land, and the only new thing I wrote was 1/16th of a novel that’s probably the worst quality ever thanks to Camp Nano. But that doesn’t mean the resolutions themselves were bad. It just means that I suck at following my own advice. 😉

2013 was actually riddled with writing-related achievements, they just weren’t the ones I expected. I’m now the Editorial Director for REUTS Publications; I’ve reviewed so many amazing (and unpublished) manuscripts I’ve lost count; I’ve been involved in numerous writing contests, Twitter events, and saw a couple of the books I helped edit reach publication; I’ve made invaluable connections with others in the industry, many of whom I now view as friends; and most importantly, I created a way to share Unmoving while it’s still being written! So 2013 was by no means a dull year on the creativity front. In fact, I think it was the busiest I’ve ever been. And I loved every minute of it!

Where does that leave me as we head into 2014? Optimistic as always. The new year sparkles with possibility, and I’m nothing if not superb at creating to-do lists. (It’s the finishing them part I’m not so great at.) So, in true New Year’s fashion, here’s my ambitious list for the coming year:
 

Writing Resolutions 2014

 

  • Finish Unmoving (Kind of inevitable now, since I have a bi-weekly deadline to keep my hiney motivated.)
  • Revise and Re-publish The Bardach, Spinning & Confessions via Createspace/Amazon KDP (Yep, I’m recycling, what of it?)
  • Compile brief synopses of all plot bunnies (I really need to get this one done. Some of those little buggers are starting to escape!)
  • Write, Edit & Publish one new short story (Really not sure why I failed at this one. It’s not an insanely difficult thing to do . . .)
  • Quit The Dreaded Day Job so I can focus on editing & writing full time (Probably not likely, but I’m shooting for the stars. They say if you write it down, it’ll happen. So hear that, writing gods? Make it happen!)

 
There’s a plethora of other things I could add to that list, but then I’d start straying from the realistic goals to the ones I know I’ll never complete. 5 seems to be a comfortable level of possible for me, anything beyond that and I may as well crumple the whole thing up and chuck it now. I’d love to say that I’ll finish more than one novel, that I’ll write a new short story every week, or that I’ll manage to do any of the other things full-time writers do. But the reality is that none of that can happen until I achieve resolution #5. Thankfully, I do see that happening in my near future, thanks to the support of my freelance clients (you guys rock!) and my work with REUTS. Will it happen this year, though? That remains to be seen. 😉

Okay, it’s your turn! What feat of writing greatness do you want to accomplish this year? And how did you do with your resolutions from last?

(P.S. Thank you to everyone who entered my 2013 Holiday Giveaway. Your support made it, by far, the most successful giveaway I’ve ever done. Unfortunately, there can only be 3 winners though. So please give a big round of congratulations to those lucky people: Alexandra Perchanidou, Carly Drake, & Rachel Oestreich! You’ll be receiving a paperback copy of Echoes of Balance by Cally Ryanne. To everyone else, don’t worry, there will be more chances to win something awesome coming May 2014. So stick around! I’ll try to make it worth your while. 😉 )

A Double Dose of Awesome: Author Interview & Holiday Giveaway

KWhipkey 1 Comment

It’s that time of year again. Trees are dressed like girls going to prom, boxes accumulate like snow, and I disappear for a few weeks. That’s right, it’s Christmas! And because I said it would be an annual occurrence, (and really, I just like giving you stuff) that also means it’s time to announce this year’s Holiday Giveaway. But first, I have an extra bonus. The lovely Cally Ryanne, author of Echoes of Balance, has agreed to stop by and give us some insight on what it’s like to be a new author, what her publication journey was like, and what you should expect from her debut novel.

I featured Echoes of Balance a few weeks ago under my From the Editor’s Desk series, so if you’re curious about the book, hop on over there. Otherwise, I’ll let Cally tell you about it herself. 😉

~

 
1. First, thank you for joining us today and congratulations on the release of your debut novel! Tell us a little about it; what kind of experience should readers expect?
 
Thank YOU for featuring me, editing Echoes (y’all — Kisa is a phenomenal editor), and making this book an awesome first experience. Really. 🙂

(Note from Kisa: Aww, thanks Cally! That means a lot. <3)

Echoes is about Chloe Moraine, the youngest of the Naimei, an ancient line of beings charged with keeping the universe in balance. But she wasn’t always sold on this particular responsibility; following their Ways can be boring, and so, for a long while, she set off to be a vampire hunter, to do something that felt more immediate and important. It’s not until her family receives warning that Pan and Damonos, the original demons and premiere forces of chaos, are set to return that Chloe resumes her Naimei duties, and then she does so with a conflicting view of the world: things can’t all be as black and white as the Ways would have the Naimei believe.

When the Ways, themselves, begin to fail, Chloe is approached by Josef, an unnervingly charming vampire who seems to know more about the Originals than anyone outside the Naimei fold should. It seems as if her best bet to save the world is to trust him, but doing so will lead her to a darker side of the supernatural than she’s ever seen, and may alienate her family in the process.

I think the experience readers should expect is immersive. The book has been a long time coming — there’s a lot to Chloe and her world beyond just this story. Get ready. 🙂
 

Chloe Moraine, high school superhero by day, universe balancer and occasional vampire hunter by night. — Echoes of Balance, 2013

 
2. This is the first in a trilogy, isn’t it? Anything you can tell us about the next book?
 
It totes is the first in a trilogy! Echoes stays pretty focused on Chloe’s life in the immediate right now, and the things she’s (mostly) used to experiencing. It’s her world, as far as Echoes is concerned. Book two — literally, that’s what the document is called right now, I’m so terrible at titles — expands a lot of Chloe’s borders, so to speak. There are new places, and a lot of new characters. Her world starts expanding — quickly — and she sort of has to deal with the fall out of that, along with all the decisions she’s made in book one.

Also, as it stands now, the first word (prologue aside) is Ducante. Man, I just love that guy. Can’t get enough of him.

(Note from Kisa: Awesome! Ducante was one of my favorite characters. Nothing like a snarky, bar-tending demon to complete things, you know? 😉 )
 

Meeting a vampire at a bar was certainly not the most dangerous thing she could do. But it was far from the least. — Echoes of Balance, 2013

 
3. This story is clearly one that’s very dear to you. Please tell us a little about your road to publication. What steps did you take? How did you ensure the story you love is the one that readers can now hold?
 
If we go back to the Way Back, the first step to publication was to totally “murder my darlings”. Chloe & company have been around for some time, and they’ve had lots of starts to their stories. That’s what happens when you think you can write novels in like, middle school. Plot holes, bad writing, plots that didn’t lead anywhere, and none of them fit, really. So eventually, there had to be a time where the pallet was cleansed — all these things I’d been building and thinking about and the what if this happened’s had to get out to make room for something real and solid and logical, but still true to the characters. Because, in the end, they were what mattered most to me.

Then I wrote and wrote and wrote forever, reworked and edited, got sick of editing, edited some more, agonized over a query letter, and then sent that query letter out to ten thousand people. Then got rejected by ten thousand people, put the book on hold for awhile, and repeated that last process again a few more times.

And, FYI, when you actually do get accepted, you have to go back to that write/edit/get sick of looking at your own words process all over again. It’s a blastity blast.
 

He was handsome . . . with chiseled features that screamed there was an aspiring actor resumé with his name on it somewhere. — Echoes of Balance, 2013

 
4. You chose to publish with a new, indie publisher instead of following the popular trend of self-publishing. What has that experience been like? Would you recommend working with a smaller press? (And please answer honestly. I promise I won’t hold anything you say against you.)
 
So, I feel like I should stress that my experience was definitely different than people working with big publishers (because duh) and probably a little different than most people working with indie publishers (because new). I was actually approached by Ashley, one of the REUTS founders, on a writing site and encouraged to submit my then mostly-finished-and-edited manuscript, and I’m the first book (!) to come out of REUTS.

That being said, I had never really seriously considered self publishing. I was sort of the exhausted mom that really needed it to be summer so her kid could go away to camp for awhile. I loved my manuscript, but I just didn’t have it in me to do everything that’s needed to self publish successfully, so that it was actually polished and professional looking and not just something that was stuck up on Amazon at 3 a.m. I figured if no one would accept me now, I would just keep writing and try again in a few years, or something, and if that didn’t work, I’d have to self publish when I actually had time to devote to it. (Which isn’t really an option when you’ve just graduated college, moved to a new city and started a new job.)

If I’m super honest, the first time I emailed Ashley, I was stupid nervous that this was just going to be some prank or grandiose dream of authors-who-wanted-to-publish-other-authors that wasn’t really going to go anywhere. But, a little over a year later, and there are real paperback copies of my fully edited book. And it’s awesome.

I’m a fan of indie and a big fan of smaller presses in general, and working with them is great. There’s a lot of personal attention, everyone involved in the press is queued into what’s happening, they really care about helping you and being new, and small, and indie, they’re totally open to being experimental and adaptive. Some things to consider, though, is that small presses — and new small presses, at that — don’t necessarily have the same experience as bigger names. REUTS is awesome, but I can see how you could easily get other presses who think they know what they’re doing but really don’t (my initial panic when Ashley emailed me). So, I guess, tread with caution if you seek a new operation to publish with. Also, consider what you want out of publishing — I just wanted to be able to share my story, but some people want to be able to walk into Barnes and Noble and see their book on the New and Now table. Different publishers have different resources that can give you different things!
 

Night was several hours off, and she didn’t have time to play host to a pseudo-corpse. — Echoes of Balance, 2013

 
5. Could you please describe what actually happens during the publication process? What should authors expect after they sign a contract?
 
Let’s start with what you should not expect:

That your book magically goes away to some factory-land that puffs out rainbows, and comes out the other side this polished, beautiful thing ready to head to booksellers everywhere.

Don’t expect that.

As soon as you sign the contract, you start in on your book proper. Finding a title that fits (this might be a personal problem — I’m pretty awful at titles), making cover decisions, starting the process of editing. I was lucky enough to be able to edit right in my Google Doc, (instant feedback, whoo!) but that also meant coming home from work and having thirty to fifty comments I needed to address on top of normal life. It can be a lot. And you’re going to keep having to tweak, cut, change, rewrite, and add to this thing you thought was great because, duh, someone wanted to publish it. But just because someone wants to publish you doesn’t mean your book is perfect. Yet.
 

She knew nothing of high school beyond the basic conventions, structure, & potential for heaping amounts of teenage angst. — Echoes of Balance, 2013

 
6. What’s been your favorite part?
 
I actually love getting edits. They’re tiring and sometimes I’m just like, ugh, I can’t look at this, but it’s also awesome to see comments from someone else who is as critical of and as invested in your story as you.
 
7. And lastly, what advice would you give to other aspiring authors out there?
 
Gut check your expectations. That being said, keep on keeping on!
 

Why did vampires always incorporate puns into their conversation? Did they try, or did it just happen? — Echoes of Balance, 2013

 

~

Thank you, Cally! 🙂

To find out more about Echoes, The Ways Trilogy, and Cally, be sure to visit her author website, or connect with her on Twitter: @callyryanne.  And, of course, Echoes of Balance is out now! So head to your favorite online retailer or meander over to REUTS Publications to pick up a copy.

Which leaves us with only one more piece of business: the Holiday Giveaway. In honor of Cally’s achievement and the first release from REUTS (which I might have had a small part in), I decided to give away 3 copies of Echoes of Balance. Yep, 3 lucky people can score one of the beautiful paperback editions for free! (Why 3? Who knows. That seems to be my magic number.) Ready to enter? Click here!The drawing will be held on New Year’s Day, and the winners will be announced that following Friday (1/3/14).

Until then, I wish you all a safe and happy holiday and I’ll see you in the new year! 🙂