Books

From the Editor’s Desk: A Need So Insatiable by Cecilia Robert

KWhipkey 2 Comments

As an editor, (both freelance and under REUTS Publications), I have the wonderful opportunity to see amazing novels during their developmental phase. And I wanted to find a way to share them with all of you as they became available. (I also wanted to find a way to help support the authors that trusted me with their manuscripts.) So think of these posts as my own personal book recommendations, straight from the editor’s desk.

This week’s edition brings you the latest release from self-pub powerhouse Cecilia Robert:
 

A Need So Insatiable

By Cecilia Robert

 

A Need So Insatiable by Cecilia Robert

 

“You’ve owned me from the moment I walked into that music room. You’ve wrapped yourself in my heart and mind. I can’t get you out. I don’t want to.” ~ Rafael Van Rees

Sophie Fisher’s life is on fire. If she’s not ducking around corners or slipping out of windows to escape the debt collectors her father’s death has left knocking on her door, she’s dealing with her rebellious, fifteen-year-old sister, Lilli. And, as if that’s not enough, Rafael Van Rees crashes into her life—literally—bringing with him a past the public has no idea of. Can she unravel his mysteries before he unravels her, or will his presence finally force her to face the demons she’s trying to outrun?

Rafael Van Rees prides himself on being in control of his destiny, music and women. As far as he is concerned, his past is a black cloud in the distance–until he meets Sophie, that is, and his world spins out of control in more ways than one. He knows the darkest sins and secrets eventually reveal themselves, but when it comes to Sophie, he’ll stop at nothing to protect her from his past. Even if it kills him.

 
A Need So Insatiable is the first installment in a new Romantic Suspense series. Featuring a split POV between the female and male leads, it’s a fast-paced, high-intensity read that combines all the strengths of romance and mystery.

Sophie is a budding opera singer dealing with a bad hand in life. Orphaned at 24, she’s trying her best to raise her teenage sister and deal with the overwhelming debt her father left her in — debt that comes with a side of vicious loan shark.  She’s a snarky heroine who manages to keep her head up throughout all the turmoil. But the one thing she doesn’t expect is the storm known as Rafael Van Rees.

A prominent maestro and music director, Rafael is a mystery. As far as the public knows, he appeared fully-formed, lacking any shred of a past — an illusion he created on purpose. But that past slaps him in the face when Sophie waltzes back into his life. The only thing he can’t figure out is why she doesn’t remember him. He’s waited for this reunion for 14 years, and he’ll stop at nothing to win her over, even if it means confronting the demons he’s tried so hard to outrun. Moody, passionate, and gorgeous, he’s everything the male lead in a romance should be. I dare any female to read this and not swoon, at least a little bit. 😉

Sophie and Rafael aren’t the only great things about this book, though. There’s also a supporting cast that fills that role to a tee, providing everything from comic relief to the voice of reason for the main characters. And the writing is grounded and realistic. Romances that keep everything flowery and perfect in the love scenes are one of my personal pet peeves. Ms. Roberts didn’t choose that approach, portraying everything (yes, even the sexy parts) in a realistic tone that was both relatable and refreshing. Some people may not like that level of realism, but I did. It made the characters feel more human.

Classified as a New Adult book, A Need So Insatiable does contain some adult (as in mature) content. So if swearing, sex, and moderate violence isn’t your thing, I would recommend against reading this. But if you like your romances with a bit of action, realism, and lots of steam, this book will more than satisfy. And, as a bonus incentive, it’s currently on sale! So take advantage of the release week extravaganza and pick up this little gem for only $0.99! You won’t be disappointed. 😉
 
Sale Banner
 
To learn more about Cecilia and her other YA/NA books, visit her website, or follow her on Facebook/Twitter. And if you simply want to purchase A Need So Insatiable, click here!

From the Editor’s Desk: Dracian Legacy by Priya Kanaparti

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As an editor, (both freelance and under REUTS Publications), I have the wonderful opportunity to see amazing novels during their developmental phase. And I wanted to find a way to share them with all of you as they became available. (I also wanted to find a way to help support the authors that trusted me with their manuscripts.) So think of these posts as my own personal book recommendations, straight from the editor’s desk.

This week, I’m excited to bring you the latest release from REUTS:
 

Dracian Legacy

By Priya Kanaparti

 

Cover Art for "Dracian Legacy" by Priya Kanaparti

 

At seventeen, Ren Pernell knows the meaning of tragedy.

But then, a year after losing her parents, Axel Knight walks through the door and changes everything. Strange creatures start to appear, her best friend suddenly finds her irresistible, and an undeniable, unexplainable bond with Axel threatens to drive her insane. She knows he’s the key. There’s something he’s not sharing, and she’s determined to find out.

Demanding answers, she finally learns the truth: everything she ever believed is an illusion. Caught in a centuries-old blood feud between races she never knew existed, Ren discovers her true destiny. She’s the chosen one, the Echo, preordained to end the bloodshed.

There’s just one catch–in order to save those she loves and a homeland she’s never seen, she’ll have to die.

With the clock running out, she’ll have to navigate a new world of betrayal, lies and deceit. If she can forgive, finding love even in the darkest places, she just might be able to escape the prophecy. But how much is she willing to sacrifice for a cause she didn’t know she was part of? And what will it take for her to be free?

 
Dracian Legacy is the first in a YA paranormal romance trilogy. Steeped in mystery, action, and steamy love scenes, it follows Ren, a seventeen-year-old girl who’s anything but normal.

A year after losing her parents, she comes face to face with her destiny. She just wasn’t expecting it to be wrapped up in the attractive Axel Knight. But destiny isn’t the only thing riding Axel’s coattails. Strange things are happening: creatures who clearly aren’t human appear; Axel has abilities that can’t be explained and that, apparently, only she sees; and her best friend–Dean–suddenly finds her irresistible after treating her like dirt for the past four years. Confused, Ren struggles to understand, until finally, she stumbles on the truth:

Everything she’s ever believed about herself, her family, and her friends is a lie.

She’s not even human, belonging instead to a race she never knew existed–the Dracians. Now, caught in an age old war between the Dracians and their enemies, she’s forced to make a choice. Accept her destiny as the Echo, the one person who can put a stop to the bloodshed, or lose everyone and everything she cares about. Clearly, it’s not much of a choice. But what will she have to sacrifice to save those she loves?

Kanaparti has created an intriguing new world, meshing it seamlessly with our own. Her characters are complicated, real people, bringing a refreshing quality to the familiar love triangle. Neither male lead is 100% good, or 100% bad, and I actually had a hard time deciding which to root for. (Technically, I was solidly Team Axel after the first read-through, but by the end of Book 2–as yet unreleased–and the revisions to Book 1, I’d switched to Dean.) Ren is a feisty, strong female lead, quick with the snarky comeback and ready to fight for what she loves. Even the supporting cast is well-rounded, hinting at the potential for spin-off books in the future.

But the thing I enjoy most about Kanaparti’s work is her voice. There’s a happiness infused into it, a brightness, even in the heart-wrenching scenes (and trust me, there are quite a few that will have you aching for the characters), that I found to be a complete joy to read. The author’s self-proclaimed motto is “I strongly believe true love conquers all”. That quality definitely rings through, and I highly recommend this book. (And the ones to come. I’ve seen what happens next, and you definitely won’t want to miss it! 😉 )

Dracian Legacy is currently available in digital format (eBook) at all the usual online retailers. The print version (which will contain bonus content–including 2 Deleted Scenes & 3 Alternate POV Scenes) will be available March 11th, 2014. Preorders can be placed through the REUTS Publications website. And if you’d like to connect with Priya, you can find her at these locations: Website | Twitter | Facebook |

**Content Note: This is classed as a YA, but parents should be aware that the content, in my opinion, is appropriate for 16+ years. There’s nothing too explicit, but it does contain swearing, discussions about sex, and steamy make-out sessions that will leave adults looking for a cold shower.**

Freelance Editing: What You’re Actually Paying For

KWhipkey 1 Comment

The following is a guest post by fellow freelance editor Cait Spivey. Cait contacted me after my post on what it takes to be an editor, asking for my input on the topic below. Realizing how important her subject really is, I asked her to come and share it with all of you. So, without further ado, I’ll turn you over to Cait and her fantastic post on what you’re actually paying for when you hire a freelance editor.

Take it away, Cait!

 

Freelance Editing: What You’re Actually Paying For

 

By Cait Spivey

 
With self-publishing on the rise, more and more freelance editors are offering their services. Along with this increase, the internet has provided plenty of articles on how to find a good freelance editor, why you need one, why you don’t need one, what to do if things go badly, etc.

In the comments on those articles, there’s almost always someone who asks why freelance editors charge so much. Many editors charge a flat rate per word or page–for example, Bear and Black Dog, my company, charges $6/pg for a single editor working on a full manuscript edit. It can add up quickly, and writers often balk at the $1500+ price tag. (The Editorial Freelancer’s Association has a page detailing average rates for various levels of service, emphasizing that these are a rough guideline.)

That’s fair — it’s quite a bit of money. In having this discussion, though, I’m reminded of graphics that make the round of the internet from time to time with headers like:
 

PHOTOGRAPHERS
What you think you’re paying for v. What you’re actually paying for

 
You’ve seen them. They typically have two columns. The one on the left has one line with the bare minimum of the job (whether photographer, event musician, etc) and the one on the right goes into more detail.

I figured it was about time we went into a little more detail about why freelance editors charge what they charge, so I put my head together with some of my editor friends and came up with this list.
 

What you think you’re paying for:

 
Someone to read your manuscript and provide feedback
 

What you’re actually paying for:

 

Time spent on the manuscript itself

 
Yes, we do read your manuscript and provide feedback, but it’s not as simple as all that. As Kisa Whipkey, freelancer and Editorial Director at REUTS Publications, said in her post What it Takes to be an Editor: it’s not just about fixing grammar. Nor is it just providing reactions to the story, the way a beta reader does.

An editor’s job is to see the story both as a series of components and as a whole organism. We’re basically mad scientists, optimizing the whole by tinkering with the parts. This requires hours of reading, and re-reading, and absorbing, and experimenting. And it is all on a case-by-case basis. Yes, there are problems we see a lot and we do have skeleton solutions ready — but we fill those in with your characters, your story, your world, your goals.

As my business partner Ash says: “How long did you spend writing your book? How easy do you think it is to take that work apart and improve it?”

Every editing project has its own challenges, and the kind of dedicated, personal attention good editors provide takes time, often quite a lot. It can also be as draining as writing a book. Editing is neither robotic nor formulaic.
 

Time spent on you

 
We know some comments can be hard to hear. Believe me, we are incredibly aware. Most editors are interested in helping writers improve, which means that we spend a lot of time crafting comments that explain why we changed what we did or why we think such and such needs to go. We also strive to give those critiques in a friendly and helpful tone, and balance criticism with praise.

Some editors take a more tough-love approach than others. It’s important to find an editor whose critique style you’re comfortable with, whether you don’t mind harsher comments or whether sarcasm in an edit letter is not your thing at all. Many editors can adapt their tone to your preference if you let them know which end of the spectrum you’re on — doing so is all part of the time spent on you as a valued client.

Editors want to form relationships with their clients, because trust makes it a lot easier to work together on a manuscript. For those clients who are self-publishing, we hope to form the kind of bond that traditionally published authors often experience with their in-house editors, and facilitate a long-term working arrangement.
 

Time and money for undergrad or graduate training

 
Like most professionals these days, we went to college, and like most former college students, we spent — and are still paying back — a lot of money to do it. A lot of people assume college is a given expense these days, but let us not forget that it’s meant to be an investment, and one that will eventually be returned in wages, and then fed back into the economy as spending dollars. That cycle gets broken without a living wage, in any line of work.
 

Time and money spent on books, conferences, and further education

 
But education doesn’t end with academia. Our job is dependent on our knowledge of literary trends and we can’t do our job well if we stick our heads in the same old sand. We buy new books on writing techniques (we write new books on writing techniques), we attend conferences and connect with our colleagues, with agents, with booksellers and with writers. We take classes to expand and hone our skill set.

All that costs money.
 

Time watching the market and identifying trends

 

Market trends (i.e. what books are selling) are as important as style trends for an editor. If your goal is to self-publish, we need to be aware of where your book sits on the proverbial shelf and what company it’s in. If your goal is traditional publishing, where agents and acquisitions editors look for originality with extreme prejudice, we need to be able to help your book stand out from recent sales and best sellers.

This means subscriptions to Publisher’s Weekly and Publisher’s Marketplace. It also means tons of time devoted to reading new releases. There’s a reason editors tend to specialize in genres or categories. There’s not enough time in the world for us to be well-versed in the market of every genre or category.
 

Business Costs

 
This includes maintaining a website and paid advertising, as well as time spent marketing and networking. It also includes promotional materials, such as the free first five pages critiques my company gives away on Twitter every month. Then there’s the cost of professional memberships with organizations like the Editorial Freelancer’s Association.

On top of all of that: taxes. A substantial amount of freelance revenue goes back in taxes, since we’re responsible for tracking and paying them ourselves as opposed to having an employer handle it.
 

Equipment

 
We often don’t think of computers or software as professional equipment, but for many people, they are. The laptop I’m working on right now is nearly five years old, ancient as far as computers are concerned. If it craps out, I need to be able to go and purchase a replacement immediately, because my job depends on it.

Microsoft Word, used by most writers, is also not free despite its ubiquity.
 

The cost of living

 
My company is still less than a year old, which means that the majority of our fees go straight back into the business account to build our presence and cover those business costs I mentioned. But, eventually it will contribute meaningfully to my household income.

– – – – –

Here’s a break-down for an example job to illustrate how the high payment might be spread across all the factors I’ve just outlined.

Time spent on a manuscript can vary quite a lot depending on many factors, but for simplicity’s sake we’ll use averages. I average about six pages per hour on a manuscript. So if you have a 300 page book, that takes me about fifty hours. If you pay me $1800, that’s about $36 dollars an hour (gross, meaning before taxes).

But: I only spend two, maybe three hours a day sitting down working on a manuscript. The rest of my day is devoted to blog posts, marketing, communication and networking, market research, etc. My wage for those things comes out of the payment I receive for editing. My $70 bucks for two hours of editing is my wage for an eight hour work day (often longer), so it ends up being a lot closer to $9/hr. 

Don’t let the lump sum fool you — for the most part, freelance editors are hardly swimming in profits.

If you’re interested in a freelance editor’s services but can’t afford a full edit, don’t think that’s the end of it! I can only speak for myself and my company on this matter, but Bear and Black Dog is always very happy to work with writers on staggered payment schedules. As freelancers, we are incredibly flexible in this way.

**Note from Kisa: I, too, am willing to work with writers on staggered payment schedules. So never be afraid to ask if the lump sum is more than you can manage. 😉 **

– – – – –

Photo of Freelance Editor Cait Spivey Cait Spivey is an editor with Curiosity Quills Press and managing member of Bear and Black Dog Editing, LLC. As an editor, Cait pulls from her lifelong experience loving books to bring forth the best elements of every story in a way that grabs the reader and doesn’t let go. She wants to help books tug heartstrings. She wants to help books become heirlooms. She wants to help books get quoted on Tumblr. Contact her through her website or her Twitter @CaitSpivey.

A Double Dose of Awesome: Author Interview & Holiday Giveaway

KWhipkey 1 Comment

It’s that time of year again. Trees are dressed like girls going to prom, boxes accumulate like snow, and I disappear for a few weeks. That’s right, it’s Christmas! And because I said it would be an annual occurrence, (and really, I just like giving you stuff) that also means it’s time to announce this year’s Holiday Giveaway. But first, I have an extra bonus. The lovely Cally Ryanne, author of Echoes of Balance, has agreed to stop by and give us some insight on what it’s like to be a new author, what her publication journey was like, and what you should expect from her debut novel.

I featured Echoes of Balance a few weeks ago under my From the Editor’s Desk series, so if you’re curious about the book, hop on over there. Otherwise, I’ll let Cally tell you about it herself. 😉

~

 
1. First, thank you for joining us today and congratulations on the release of your debut novel! Tell us a little about it; what kind of experience should readers expect?
 
Thank YOU for featuring me, editing Echoes (y’all — Kisa is a phenomenal editor), and making this book an awesome first experience. Really. 🙂

(Note from Kisa: Aww, thanks Cally! That means a lot. <3)

Echoes is about Chloe Moraine, the youngest of the Naimei, an ancient line of beings charged with keeping the universe in balance. But she wasn’t always sold on this particular responsibility; following their Ways can be boring, and so, for a long while, she set off to be a vampire hunter, to do something that felt more immediate and important. It’s not until her family receives warning that Pan and Damonos, the original demons and premiere forces of chaos, are set to return that Chloe resumes her Naimei duties, and then she does so with a conflicting view of the world: things can’t all be as black and white as the Ways would have the Naimei believe.

When the Ways, themselves, begin to fail, Chloe is approached by Josef, an unnervingly charming vampire who seems to know more about the Originals than anyone outside the Naimei fold should. It seems as if her best bet to save the world is to trust him, but doing so will lead her to a darker side of the supernatural than she’s ever seen, and may alienate her family in the process.

I think the experience readers should expect is immersive. The book has been a long time coming — there’s a lot to Chloe and her world beyond just this story. Get ready. 🙂
 

Chloe Moraine, high school superhero by day, universe balancer and occasional vampire hunter by night. — Echoes of Balance, 2013

 
2. This is the first in a trilogy, isn’t it? Anything you can tell us about the next book?
 
It totes is the first in a trilogy! Echoes stays pretty focused on Chloe’s life in the immediate right now, and the things she’s (mostly) used to experiencing. It’s her world, as far as Echoes is concerned. Book two — literally, that’s what the document is called right now, I’m so terrible at titles — expands a lot of Chloe’s borders, so to speak. There are new places, and a lot of new characters. Her world starts expanding — quickly — and she sort of has to deal with the fall out of that, along with all the decisions she’s made in book one.

Also, as it stands now, the first word (prologue aside) is Ducante. Man, I just love that guy. Can’t get enough of him.

(Note from Kisa: Awesome! Ducante was one of my favorite characters. Nothing like a snarky, bar-tending demon to complete things, you know? 😉 )
 

Meeting a vampire at a bar was certainly not the most dangerous thing she could do. But it was far from the least. — Echoes of Balance, 2013

 
3. This story is clearly one that’s very dear to you. Please tell us a little about your road to publication. What steps did you take? How did you ensure the story you love is the one that readers can now hold?
 
If we go back to the Way Back, the first step to publication was to totally “murder my darlings”. Chloe & company have been around for some time, and they’ve had lots of starts to their stories. That’s what happens when you think you can write novels in like, middle school. Plot holes, bad writing, plots that didn’t lead anywhere, and none of them fit, really. So eventually, there had to be a time where the pallet was cleansed — all these things I’d been building and thinking about and the what if this happened’s had to get out to make room for something real and solid and logical, but still true to the characters. Because, in the end, they were what mattered most to me.

Then I wrote and wrote and wrote forever, reworked and edited, got sick of editing, edited some more, agonized over a query letter, and then sent that query letter out to ten thousand people. Then got rejected by ten thousand people, put the book on hold for awhile, and repeated that last process again a few more times.

And, FYI, when you actually do get accepted, you have to go back to that write/edit/get sick of looking at your own words process all over again. It’s a blastity blast.
 

He was handsome . . . with chiseled features that screamed there was an aspiring actor resumé with his name on it somewhere. — Echoes of Balance, 2013

 
4. You chose to publish with a new, indie publisher instead of following the popular trend of self-publishing. What has that experience been like? Would you recommend working with a smaller press? (And please answer honestly. I promise I won’t hold anything you say against you.)
 
So, I feel like I should stress that my experience was definitely different than people working with big publishers (because duh) and probably a little different than most people working with indie publishers (because new). I was actually approached by Ashley, one of the REUTS founders, on a writing site and encouraged to submit my then mostly-finished-and-edited manuscript, and I’m the first book (!) to come out of REUTS.

That being said, I had never really seriously considered self publishing. I was sort of the exhausted mom that really needed it to be summer so her kid could go away to camp for awhile. I loved my manuscript, but I just didn’t have it in me to do everything that’s needed to self publish successfully, so that it was actually polished and professional looking and not just something that was stuck up on Amazon at 3 a.m. I figured if no one would accept me now, I would just keep writing and try again in a few years, or something, and if that didn’t work, I’d have to self publish when I actually had time to devote to it. (Which isn’t really an option when you’ve just graduated college, moved to a new city and started a new job.)

If I’m super honest, the first time I emailed Ashley, I was stupid nervous that this was just going to be some prank or grandiose dream of authors-who-wanted-to-publish-other-authors that wasn’t really going to go anywhere. But, a little over a year later, and there are real paperback copies of my fully edited book. And it’s awesome.

I’m a fan of indie and a big fan of smaller presses in general, and working with them is great. There’s a lot of personal attention, everyone involved in the press is queued into what’s happening, they really care about helping you and being new, and small, and indie, they’re totally open to being experimental and adaptive. Some things to consider, though, is that small presses — and new small presses, at that — don’t necessarily have the same experience as bigger names. REUTS is awesome, but I can see how you could easily get other presses who think they know what they’re doing but really don’t (my initial panic when Ashley emailed me). So, I guess, tread with caution if you seek a new operation to publish with. Also, consider what you want out of publishing — I just wanted to be able to share my story, but some people want to be able to walk into Barnes and Noble and see their book on the New and Now table. Different publishers have different resources that can give you different things!
 

Night was several hours off, and she didn’t have time to play host to a pseudo-corpse. — Echoes of Balance, 2013

 
5. Could you please describe what actually happens during the publication process? What should authors expect after they sign a contract?
 
Let’s start with what you should not expect:

That your book magically goes away to some factory-land that puffs out rainbows, and comes out the other side this polished, beautiful thing ready to head to booksellers everywhere.

Don’t expect that.

As soon as you sign the contract, you start in on your book proper. Finding a title that fits (this might be a personal problem — I’m pretty awful at titles), making cover decisions, starting the process of editing. I was lucky enough to be able to edit right in my Google Doc, (instant feedback, whoo!) but that also meant coming home from work and having thirty to fifty comments I needed to address on top of normal life. It can be a lot. And you’re going to keep having to tweak, cut, change, rewrite, and add to this thing you thought was great because, duh, someone wanted to publish it. But just because someone wants to publish you doesn’t mean your book is perfect. Yet.
 

She knew nothing of high school beyond the basic conventions, structure, & potential for heaping amounts of teenage angst. — Echoes of Balance, 2013

 
6. What’s been your favorite part?
 
I actually love getting edits. They’re tiring and sometimes I’m just like, ugh, I can’t look at this, but it’s also awesome to see comments from someone else who is as critical of and as invested in your story as you.
 
7. And lastly, what advice would you give to other aspiring authors out there?
 
Gut check your expectations. That being said, keep on keeping on!
 

Why did vampires always incorporate puns into their conversation? Did they try, or did it just happen? — Echoes of Balance, 2013

 

~

Thank you, Cally! 🙂

To find out more about Echoes, The Ways Trilogy, and Cally, be sure to visit her author website, or connect with her on Twitter: @callyryanne.  And, of course, Echoes of Balance is out now! So head to your favorite online retailer or meander over to REUTS Publications to pick up a copy.

Which leaves us with only one more piece of business: the Holiday Giveaway. In honor of Cally’s achievement and the first release from REUTS (which I might have had a small part in), I decided to give away 3 copies of Echoes of Balance. Yep, 3 lucky people can score one of the beautiful paperback editions for free! (Why 3? Who knows. That seems to be my magic number.) Ready to enter? Click here!The drawing will be held on New Year’s Day, and the winners will be announced that following Friday (1/3/14).

Until then, I wish you all a safe and happy holiday and I’ll see you in the new year! 🙂

From the Editor’s Desk: Echoes of Balance by Cally Ryanne

KWhipkey Leave a comment

As an editor, (both freelance and under REUTS Publications), I have the wonderful opportunity to see amazing novels during their developmental phase. And I wanted to find a way to share them with all of you as they became available. (I also wanted to find a way to help support the authors that trusted me with their manuscripts.) So think of these posts as my own personal book recommendations, straight from the editor’s desk.

This week, I’m excited to bring you the first title releasing under the REUTS Publications name:
 

Echoes of Balance

by Cally Ryanne

 

Echoes of Balance by Cally Ryanne

 

For Chloe Moraine, fighting wild bears — and the occasional vampire — is a better pastime than the tediousness of keeping the universe in balance. But balancing is the family business. It comes with being one of the last in the ancient line of Naimei.

So when the impending return of the Original Demons threatens global harmony, Chloe is obligated to help. Even when that means the dull-as-dirt task of following a human girl who “might be involved, maybe,” instead of the thrilling hunt she craves.

With their powerful magic and ancient Ways, Chloe’s family is unconcerned, certain they’ll quickly fix the imbalance while she’s preoccupied with human high school. But when the Ways start to fail, the threat becomes more serious, and the only person that seems to know anything is a debonair vampire with an offer to help.

If Chloe chooses to trust him, and the darker side of the supernatural he represents, she’ll betray her family and risk losing them, and herself, in the process. But if he’s right, he may just be their only chance to stop the return of the Originals and save the world.

Maybe high school won’t be so boring after all.

 
Echoes of Balance is the first in The Ways Trilogy. Featuring a cast of sarcastic, quick-witted characters, and an interesting twist on the paranormal creatures we all know and love, this YA, urban fantasy debut is fast-paced and fun. It introduces us to Chloe, one the few remaining Naimei (a new race of paranormal creature unique to Cally’s world) who passes her time as a vampire hunter. At least, until a grievous injury to her arm leaves her sidelined and her cousin shows up with sinister news. The Ways (an instrument the Naimei use to predict world events and maintain the balance of the universe) are severely unbalanced, pointing to the catastrophic return of demons that had been banished from the world centuries ago. And they (the Naimei) need Chloe’s help to stop it.

However, what they have in mind isn’t quite what Chloe expects, and instead of being sent on a high-intensity mission, she finds herself in high school, charged with following a human girl who may be involved. Frustrated at being benched yet again, Chloe decides to find her own information on the scenario, leading her to Sam — a young vampire who’s more puppy-dog than anything else; Josef — the debonair vampire who speaks in riddles and mystery; and Ducante — a wise-cracking bar owner and bona fide demon. All while navigating the social landmines of high school.

Cally’s style is smooth, with a simplicity and elegance that allows readers to become engrossed in Chloe’s world, and her storytelling is deceptively straightforward. Like Chloe, readers will find themselves unraveling an intricate web of plot lines and clues, until finally, everything falls into place. Do Chloe and the Naimei figure it out in time to stop the impending demons’ return? You’ll have to read and find out. 😉

And, because today is Black Friday, REUTS has decided to honor the shopping tradition by offering the chance to pre-order Echoes of Balance. The official release date is December 17th, but you can reserve your copy now through the REUTS Publications website. This is exclusive to the REUTS site, so don’t miss out! (Echoes will be available via the regular online channels after 12/17/13). Head on over to the book’s page, check out the first chapter for free and reserve your copy!

You can also learn more about the series and Cally by visiting her website: Ducante Originals.

Cally, it’s been a pleasure working with you. Thank you for letting me be a part of your book’s journey. I wish you all the success it deserves and look forward to the next installment! 🙂