Author: KWhipkey

Featured From the Archives: The Anatomy of a Successful Short Story

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Reuts Publications announced the impending return of their Nano-inspired writing contest — Project REUTSway — this week. Which means that (hopefully) there is a horde of eager writers rubbing their hands together in anticipation. (If you’re not sure what I’m talking about, be sure to click above and sign up for the VIP notification list.) It also means that those same writers will be sharpening their proverbial pencils to craft — in rapid-fire succession, no less — four brand new short stories. So what better time than now to dredge this post up from the archives?

Anyone planning on entering PRW (as the REUTS team affectionately calls it), listen up. Here are three things you’ll want to keep in mind as you strive to impress the judges (*ahem* me *ahem*). Let me hand you the key to success on a silver platter; you’ll thank me later. 😉
 

The Anatomy of a Successful Short Story

by Kisa Whipkey

Originally Posted on 12/13/13

 
Short stories. Some people love them, others can’t stand them. But no one can deny they’re an entirely different creature from novels.

This week, I’ve been judging entries for the ProjectREUTSway competition held during the month of November. Buried amid 144 short stories, I started to think about what exactly makes one “successful.” I think most of you know by now that I, myself, published three, so this is a topic that hits very close to home. It’s also one I’ve never really stopped to think about. Until now. Because, let’s face it, short stories are strange. Similar to novels and yet completely dissimilar, they require a certain — almost magic — recipe to really shine. I don’t believe in the undefinable though (at least not when it comes to writing), so let’s see if we can’t identify the exact ingredients that make short stories such a unique form of storytelling.

Short stories are often considered a novelist’s training wheels, the idea being that someone can learn the basics of storytelling through short stories and then graduate into novels. But that’s not exactly what happens. Because, in reality, they require two different skill sets to pull off well. A short story is not a truncated novel, nor is a novel an elongated, rambling short story. Rarely can the concept for one be turned successfully into the other. And yet people still try. Why? Because short stories have been given a bad rap. Novels take all the glory, leaving short stories to rot in creative writing jail like fiction offenders. They’re looked down on as an inferior form of narrative, an eighth grade diploma to the novel’s PHD. After all, the only difference between them is length, right?

Wrong.

There are three things a successful short story must have: brevity, focus, and telling. Yes, you heard me, telling. But before you get your knickers in a bunch, let me explain further.
 

1. Brevity

 
Novelists are taught the value of brevity. But even the most refined novels still sprawl, meandering through details and settings and other things short story authors simply can’t afford. Literally every word matters in a short story. No detail is extraneous. If we mention the light blue collar on a random cat, you can bet that collar is important somehow.

The same holds true for the words themselves. Novelists are allowed to write sentences like this:

She paused, grabbing the handle of the stainless steel refrigerator and pulling it open with a subtle flick of her wrist.

(Hey, no comments on the quality. Clearly, I know that sentence is atrocious. I’m proving a point. 😉 )

That’s 21 words to say this:

She opened the refrigerator door.

Yes, that may be a bit exaggerated, but you see what I mean, I hope. When you only have maybe 5000 words of space, every letter has to serve a purpose. Successful short stories know this, and the language/storytelling is as finely honed as a scalpel. If it doesn’t somehow move the plot along, impart valuable information, or absolutely have to exist, it doesn’t.
 

2. Focus

 
I’m a firm believer that every story should have a message, a reason for existing. But maybe that’s because I started out as a short story author. Whenever I come up with an idea, I identify the core message first, before the setting, characters, or even plot. For example, The Bardach is a story about identity, Spinning is about fate, and Confessions is about losing faith. Even Unmoving has a focal point. At its core, its about compassion. This type of focused narrative is one of the more notable differences between a short story and a novel.

Short stories are single-minded. Like a starving man spotting food, they keep their eyes on the prize. None of this wandering off into detours, flashbacks, subplots or other shenanigans that novels get away with. Nope, they have one message, one plot, one climatic moment that everything points to. And, interestingly enough, short stories are typically driven by an event, rather than a character. The focus is on the action, not the person doing it.

How does this translate into our recipe for success? Well, you’ll be able to feel the underlying drive in a really good short story. You’ll walk away from it remembering the message, not necessarily the characters. So make darn sure you know what you’re saying, both literally and subtextually.
 

3. Telling

 
All right. I know this is the one you were waiting for. After all the times “show, don’t tell” has been beaten into your head, you simply can’t believe I’d actually stand here and advocate telling, can you? Well, I’m not really.

See, the thing is, showing is still 100% better than telling. But, telling is allowed in a short story. Due to the limited amount of time you have to impart your narrative, there’s really no way around it. You don’t have the luxury of wasting thousands of words, or even hundreds, showing us the back-story. Nor can you illustrate anything directly outside the timeline of the main event, regardless how important it may be. So that only leaves one option — telling. You should still avoid the dreaded info-dump if you can, but slipping in the occasional line of summary, or a paragraph of back-story, won’t automatically earn you peer derision. Well, most of the time, anyway.

Successful short story authors are masters of knowing when to tell and when to show. (Which, by the way, I am not. Just wanted to clarify that in case anyone thought I was going to be cocky and throw myself on that list.) They give you just enough information — typically in the form of telling — to make their worlds/characters feel as fleshed out as a novel’s, but not so much that you really notice. They cover a lot of ground in a really short amount of time, making this the hardest skill on the list. It actually requires mastery of the other two to pull off, which is why I listed it last.

And there you have it; the anatomy of a successful short story. Learn how to control these three elements and your short fiction will stand out in a pile like little beacons. And let’s all try to stop viewing short stories as the lesser form of fiction. They’re not inferior. Just different.

Book Review Wednesday: Wicked Path by Eliza Tilton

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Okay, so this isn’t so much a review as a release announcement. Apologies for the misnomer. Some of you may remember my review for book one in The Daath Chronicles, so when I saw book two was becoming available, I jumped at the chance to continue the story. I haven’t had time to read it yet, so unfortunately, my review is still pending. But here’s some more info about it, just to pique your interest. 😉

Wicked Path by Eliza Tilton

In Wicked Path: Book Two of the Daath Chronicles brother and sister are forced to opposite sides of Tarrtainya on a fast-paced adventure where the wildlife isn’t the only thing trying to kill them.

Three months have passed since Avikar defeated the Reptilian Prince, and he still can’t remember his battle with Lucino. On the hunt for answers, he returns to the scene of the fight and discovers a strange connection between his family’s dagger and the mysterious kingdom of Daath, and it seems only his distant father can reveal the truth behind it all.

Before Avikar can travel back home, Lucy assaults him in the market and forces him to flee to Nod Mountains—a place few dare to enter, and even less return from. With Raven and her childhood friend by his side, they must survive the treacherous journey through the pass with a vengeful Lucy hunting them. If they don’t, they’ll never see home again.

Jeslyn’s new life in Luna Harbor is the perfect remedy for her confused and broken heart. But when a group of mercenaries kidnap her beloved Grandfather, interrupting her daily routine as his jewelry apprentice, she’s forced to join forces with the one person from her past she tried to forget.

And his assistance comes with a price.

 

About the Author:

Eliza Tilton

Eliza graduated from Dowling College with a BS in Visual Communications. When she’s not arguing with excel at her day job, or playing Dragon Age 2, again, she’s writing. Her stories hold a bit of the fantastical and there’s always a romance. She resides on Long Island with her husband, two kids and one very snuggly pit bull.

 

AUTHOR LINKS:

Twitter / Tumblr / Website / Pinterest / Facebook / Instagram

BUY LINKS:

Amazon / Goodreads /

Serial to Series, and Self-Pubbing by Accident

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The following is a guest post (and part of the blog tour for her self-published novella that I’ll introduce at the end) by my good friend and fellow editor, Cait Spivey. It’s excellent information, as usual, but stay tuned after the post for some special announcements and cool reveals regarding Cait’s non-editorial efforts. I don’t want to take up too much space, so without any more preamble, here’s Cait!
 

Serial to Series, and Self-Pubbing by Accident

by Cait Spivey

 

I always considered myself a traditional publishing kind of girl. I figured I’d be happy to do a little marketing, get myself out there to events, and schmooze, but would prefer to have the support of a press to help me along. Self-publishing was fine and dandy, but not my speed.

Fast-forward a year or so into my publishing journey. I’d been querying a high fantasy to agents – -angling for that New York deal — with good interest but no contracts, and working on some other side writing projects. A sci-fi inspired by the “what if the Doctor were female?” question. And a little story about a girl being stalked by spiders.

I liked this little story. I liked the main character, Erin, whose voice came to me so easily. I’d originally planned it to be a full-length novel, but as I wrote, it became clear that this wasn’t a novel. It was the groundwork for something much larger.

So I finished it at almost 17,000 words, and wondered what the hell to do with it: too short to query, too long to be a short story. I thought about cutting it down and sending it to literary magazines, but there was no way to cut 10k  words without completely changing the story. I thought about expanding it, but the ending was utterly fixed to me, and while I could have come up with more to pad the rest, it would have become out of proportion to the climax.

One of the presses for which I edit, Curiosity Quills, offers a few serials through their website, as does Kisa, my gracious host for today, and a number of other writerly friends I’d made. So I got the idea: why not put my spider story on my own blog? Otherwise, it was just going to sit rotting on my hard-drive.

I mocked up a little cover featuring a beautiful spider photographed by my friend Jo (http://thebrokenshelf.com/), scheduled all nine posts, and off we went. As the end of the run drew near, I thought it might be nice to have the whole thing available for download, as like a pdf or something. So this past March, I formatted I See the Web, made myself a less spider-rific cover that better represented the story, and uploaded it to Smashwords for free download when the serial run was over.

Then I realized: I’d self-published it.

And I’d done so with barely a scrap of marketing or other pre-launch build-up. Still, the book was downloaded pretty steadily, so after about a month of having the book up for free, I published it to Amazon through KDP and changed the price to $0.99.

I turned away from I See the Web and focused on other projects for a little while, but my little novella was still out there, still trucking along. As those other projects got more serious and as I made definitive decisions about my goals for the future, I decided it was time to come back and give Erin her due. If I wanted the book to do well, and if I wanted to bring attention to the sequel I was writing, I needed to give a proper marketing effort.

The result is this blog tour and cover reveal.

To say it’s been a learning experience would be an understatement, and if I can impart any advice, it would be this: have a plan ahead of time. While my experience with I See the Web has pretty much worked out, the past few months would no doubt have gone a lot better sales-wise if I’d thought ahead, made deliberate choices, and set specific goals.

Another important piece of advice: don’t treat any of your work as a throw-away. The reason I didn’t do much planning with I See the Web is because I thought it was going to be just a one-off, something unconnected to the rest of what I wanted to accomplish. Totally untrue! Not only is it my first published work, a place nothing else can ever supplant, it’s also become the anchor for a far-reaching series of loosely connected books, novellas, and short stories within The Web’s universe. While reading I See the Web won’t be necessary for any of those other stories, it will add to those reading experiences.

There are plenty of publishing paths available to authors these days and, for the most part, one is not better than any other. It may take some time to decide which one is right for you and your project, and that’s okay. But you can’t let publishing sneak up on you.

 

 

Pretty sound advice, no? I think a lot of us (myself included) could benefit from her lessons. I know I have a tendency to forget about certain projects, deeming them less worthy than others of time in the limelight and/or love. But she’s right; they’re all part of my writing career and deserve the respect of my attention.

But I promised goodies and reveals, and since I don’t have any for my own work that you don’t already know about, I’m happy to introduce you to Cait’s. First, here’s the information and buy links for I See the Web:

I See the Web by Cait Spivey

Seventeen-year-old Erin has a lot to look forward to, even if it suddenly seems like everywhere she turns there’s a spider staring at her. She’s finally out to her friends and family, surprising exactly no one. When Dawn, the love of her tender teenage dreams, corners her in the library, a whole new world opens up to Erin. From here on out, it’s all make-out sessions with her beautiful girlfriend in rooms stacked high with books.

Until the spiders start whispering.

Turns out the spiders aren’t just stalking her for kicks. They need her to be their voice, their vessel, whatever that means. But their timing is crap, because there’s no way Erin is giving up her human life just when things are starting to get amazing. Too bad the spiders just won’t quit. Like it or not, Erin will have to choose, and it won’t be nearly as easy as she thinks.

Amazon | Barnes & Noble | Smashwords

And now, I’m thrilled to help reveal the cover for I See the Web‘s highly anticipated sequeal, A Single Thread:

A Single Thread by Cait Spivey

It’s been two weeks since Morgan Fletcher’s little sister, Erin, disappeared before his eyes in a flurry of spidersilk and blood. Probability says she’s dead; but when Erin comes to him in a dream, Morgan’s eyes are opened to a level of reality where probability doesn’t mean jack. His sister sees the web of time, and she’s got news for him: trouble is coming.

A cryptic riddle and flashing images of the future are all Morgan has to go on in order to save a mystery boy from a gruesome death. That’s if he even believes what’s happened to Erin. Is her spider-whisperer persona for real, or has his grief at losing her caused him to totally crack?

With a life at stake, Morgan isn’t taking any chances. Madness or no madness, he has to solve Erin’s riddle before it’s too late.

Releasing October 31st, 2014

And, because that’s not enough to convince you that Cait’s awesome and you should totally go support her, here’s a ridiculously amazing book trailer for A Single Thread:

http://youtu.be/SXKatdAYhVc

Featured From the Archives: Inspiration is a Fickle Wench

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Ah yes, my post about inspiration, or rather, the lack thereof. As I stared blankly at the titles in my drafts folder this week, waiting for something (anything!) to spark an idea, I realized that this post would be oddly fitting. It’s also fairly old, so there’s a good chance it will be new to a lot of you. Given my complete lack of inspiration this week (I’m serious, I think my muse died, or decided to flit off to her beach with the cabana boy again), it’s safe to say this is better than anything I could have managed to drag, kicking and screaming, from the depths of my brain. It’s at least somewhat humorous, and I bet a few of you out there will be able to relate. Enjoy!
 

Inspiration is a Fickle Wench

by Kisa Whipkey

Originally Posted on 8/10/12

 
Have you ever had those days where you suffer from a complete lack of inspiration? Where you feel like a creative well that’s run dry? Yeah, me too. In fact, it happens more than I’d like to admit. For someone plagued by the never-ending breeding of plot bunnies, I have a remarkably hard time finding the motivation to actually write. Oddly, the most sure-fire way I have to motivate myself is to declare to the world that I’m not writing. (Sorry, writing group buddies. Sometimes I have to cancel just so the muses in my head will freak out, screaming, “No! You can’t write absolutely nothing this week!” and finally show me the path to the next scene they were greedily withholding.)

But inspiration doesn’t just apply to writing. We need it for all things creative. It plays just as much of a role in creating a masterpiece of art, or choreographing a moving sequence for demo team. And some days, it’ll simply refuse to come when you call it.

I find the idea of inspiration a fascinating thing. Where does it come from? Is it an invisible lightning bolt that shocks our imagination to life the way a defibrillator brings our hearts back from death? Is it a gift from some higher power, sending waves of creative energy coursing through us like sunlight? Is it the whispered voice of a muse dressed like the women of Greek mythology? Or is it just some random combination of neurons firing that creates a delusional escape from reality? Honestly, I don’t know. I’m not sure anyone does. But I do find it intriguing that when a writer talks about hearing “voices,” they’re considered brilliantly touched by inspiration. When anyone else says it, they’re considered mentally ill.  What separates inspiration from insanity? The final product? Who’s to say that people with schizophrenia or brain tumors warping their neurological pathways aren’t the most in tune with that magical force we call inspiration. Or that those of us who claim to rely on it for our careers aren’t actually suffering a slight mental meltdown. Interesting stuff, isn’t it?

All I know about inspiration is that it rarely shows up when I want it to. Case in point, I’m now suffering through week 2 of the current inspirational drought. This wasn’t even the blog post I had scheduled for today, but I was too uninspired to finish the original one. Which made this the perfect week to muse about the elusive nature of the muse, so to speak.

I’ve mentioned a few times that I find inspiration through music, going into rather lengthy, and probably creepy, detail about it here. I’m not sure why that’s my avenue of choice, but it’s always been that way. Maybe I’m mooching off the creative brilliance imbued by the composer/songwriter. Maybe I’m gifted with a finely tuned sense of musicality, and I can find stories through the nuances and layers of musical instruments the way others can through dreams or spoken words. Maybe I’m just nuts. But regardless of the reason, that reliable source of  melodic inspiration only seems to cover the initial conceptual phase. It gives me the base-line, the foundation on which I have to build, and more plot bunnies than I could ever write, even if I was lucky enough to be a writer that could finish a novel in a few months. When it comes to the actual creation part, the nitty-gritty work part, I’m left to suffer the whims of inspiration like everyone else.

Every writing website, advice article, author/artist blog out there will tell you that creator’s block is a myth. That it’s just an excuse for being lazy, for procrastinating, for giving in to your fear of failure, or for a plethora of other reasons. They’ll all tell you that you just have to power through those days when you’re lacking inspiration. That you have to discipline yourself to create every day. That you can’t wait for the muse to come to you, for the weather to align perfectly, for the fourteen cups of caffeinated beverage to kick in, or for whatever that magic combo is that ignites the fires of inspiration for you. And they’re probably right.

I, however, can’t force it. When I’m not feeling inspired, I end up with this:

“Blah, Blah, more Blah, Blaaaaaaaaaaaaaaaaaaaaahhhhhhhhhhh! Stuff and things. Blarg. Grrrrrrrrrrrrrrrrrrrr. Oh, and more Blah.”

How would you like to read an entire novel of that? I know I wouldn’t. So I ignore all those lovely professional people out there smarter than me, because their perfectly valid advice doesn’t help me. And I wait, sometimes days, sometimes weeks, sometimes even months for the return of inspiration. Does that make me a lazy, procrastinating, fear-frozen artist/writer/choreographer? Maybe. It definitely makes me slow. But one thing I’ve learned over the years chasing down my dream of making a living at something creative, is that you have to be true to yourself. You can read as many books, blogs, advice columns as you want; take a million classes to hone your skills; talk to everyone you admire who have been lucky enough to make a living doing what they love, but in the end, it’s all about figuring out your own creative style, the strategies that work for you, and the confidence to believe that just because your process may be a little different, doesn’t make it wrong.

And mostly, that inspiration is a fickle wench you can control about as much as you can control the weather.

Book Review Wednesday: The Curse Merchant by J.P. Sloan

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Yes, I know, it’s technically Tuesday, but since this will be occupying the spot of glory on my blog until Friday, I thought we could let that slide. Besides, I’m part of this here spiffy blog tour:

Tour Banner for The Curse Merchant

And no, I’m not lying. The banner does say the tour ended yesterday, but this is the date I was given. So, this is the date I’ll supply my review. Right after I give you the obligatory information about the book.
 

The Curse Merchant

by J.P. Sloan

 

Cover for The Curse Merchant

My Rating: 4/5 Stars

 

Dorian Lake spent years cornering the Baltimore hex-crafting market, using his skills at the hermetic arts to exact karmic justice for those whom the system has failed.

He keeps his magic clean and free of soul-corrupting Netherwork, thus avoiding both the karmic blow-back of his practice and the notice of the Presidium, a powerful cabal of practitioners that polices the esoteric arts in America. However, when an unscrupulous Netherworker interferes with both his business and his personal life, Dorian’s disarming charisma and hermetic savvy may not be enough to keep his soul out of jeopardy.

His rival, a soul monger named Neil Osterhaus, wouldn’t be such a problem were it not for Carmen, Dorian’s captivating ex-lover. After two years’ absence Carmen arrives at Dorian’s doorstep with a problem: she sold her soul to Osterhaus, and has only two weeks to buy it back. Hoping to win back Carmen’s affections, Dorian must find a replacement soul without tainting his own.

As Dorian descends into the shadows of Baltimore’s underworld, he must decide how low he is willing to stoop in order to save Carmen from eternal damnation
 with the Presidium watching, waiting for him to cross the line.

This book starts with a bang. From the first sentence, we know we’re in for two things: a snarky narrator (and it’s no secret I adore a snarky lead) and a gritty, rough-around-the-edges kind of read. And neither disappoints.

Dorian Lake crafts hexes and charms fueled by the karma of the person purchasing them. But he avoids anything involving the darker arts of the Netherwork. That is, until an old flame reappears and pulls him head-first into turmoil. Now, in order to save Carmen, Dorian has to find a way to replace her soul, all while evading detection from both his rival — the man responsible for Carmen’s predicament– and the Presidium, who essentially police the use of magic.

One part gritty police procedural/spy novel, one part supernatural thrill-ride, The Curse Merchant is definitely intriguing. I found the world building to be generally well-done, with lots of attention paid to the history and back-story of both the craft and the characters. The structure of the story was a bit disjointed in places, as the narrator has a tendency to drift down memory lane, but the wit and tongue-in-cheek sarcasm more than made up for that. Fast-paced and full of twists and turns, Sloan definitely knows how to keep his audience hooked. But I found his take on magic, especially the karma angle, to be the most intriguing. It was refreshingly original.

I wouldn’t recommend this to readers who prefer their books to be clean, as swearing and violence are both very present. But for those who don’t mind a little grit in their fantasy, this book is a great find. With a lead character whose charm and integrity endear him immediately, and a plot that will have you questioning your own sense of morality, The Curse Merchant is everything a great urban fantasy should be. The only reason I didn’t give it five stars is because I felt it could have been a little better edited. But that’s no reflection on the author’s talent, and doesn’t sway me from recommending his work to fans of the genre.

**Disclosure Statement: I received a copy from the publisher in exchange for an honest review. **

 

About the Author:

J.P. Sloan is a speculative fiction author … primarily of urban fantasy, horror and several shades between. His writing explores the strangeness in that which is familiar, at times stretching the limits of the human experience, or only hinting at the monsters lurking under your bed.

A Louisiana native, Sloan relocated to the vineyards and cow pastures of Central Maryland after Hurricane Katrina, where he lives with his wife and son. During the day he commutes to the city of Baltimore, a setting which inspires much of his writing.

In his spare time, Sloan enjoys wine-making and homebrewing, and is a certified beer judge.

J.P. Sloan

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